tag:blogger.com,1999:blog-72354767591357179702024-03-18T04:03:47.680+01:00Daniel Carinsson<small>Romane, Videos, Bilder, Reisen, Beobachtungen, Gedankenspaziergänge - möchte ich mit Euch teilen.</small>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.comBlogger198125tag:blogger.com,1999:blog-7235476759135717970.post-18688903840144356552024-03-13T07:00:00.004+01:002024-03-17T12:02:05.119+01:00Veröffentlichungen<h3>
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<span style="font-family: arial;">Naked Identity<br /><i>Wer ist Aya K? <br /></i></span></h3>
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<span style="font-family: arial;"><i></i></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-HLjxI1XCLeG6HKs09nDrIG5gpTlVMU5UMKfptuuy5ta83TjKkJG83vyAg6Ql_CqHN9BhCylL6iV-t39PqKmTtrIfCh7paYevXJP7XnpuXj9FdFhyphenhyphenvjgfPSyxiwPoNZMf-G2IyWcn0cBwz5FXByhqJMnMS14wbx9zXB5o_D15ql4wePv5o0fz8X-ao6s/s1080/NakedIdentityCover180124-1080.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="675" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-HLjxI1XCLeG6HKs09nDrIG5gpTlVMU5UMKfptuuy5ta83TjKkJG83vyAg6Ql_CqHN9BhCylL6iV-t39PqKmTtrIfCh7paYevXJP7XnpuXj9FdFhyphenhyphenvjgfPSyxiwPoNZMf-G2IyWcn0cBwz5FXByhqJMnMS14wbx9zXB5o_D15ql4wePv5o0fz8X-ao6s/s320/NakedIdentityCover180124-1080.jpg" width="200" /></a></i></span></div><span style="font-family: arial;"><i>Kiew</i>: ein Videoclip trendet im Netz. Eine Handykamera hat den Sturz von einem Hochausdach gefilmt – in der Hand eines Videobloggers, der für seine rechtslastigen Triaden berüchtigt war. Schnell identifiziert die Öffentlichkeit auf den Aufnahmen die nicht weniger bekannte Aktivistin Aya Kowalenka alias „The Naked Gypsy“ als Täterin. Die streitbare Romni, im bürgerlichen Leben Wirtschaftsprofessorin, provoziert seit Jahren in der Tradition der Femen für die Rechte von Minderheiten und Frauen. Ist sie diesmal einen Schritt zu weit gegangen oder war es Notwehr? Während rechte Bürgerwehren demonstrieren, küren Gruppen aus ihrer eigenen Community sie zur Ikone eines Widerstandskampfes. Doch dann geht eine ehrgeizige Boulevardjournalistin mit einer Enthüllung auf Sendung, die alles wieder auf den Kopf stellt. </span><p></p><p><span style="font-family: arial;">Kann ausgerechnet Bandmanager und Gelegenheits-informant Adam Wischnewski mit seiner Wiener Truppe die Verfolgte aus dem kochenden Hexenkessel herausholen? Und vor allem, will er das überhaupt?</span><span style="font-family: arial;"><br /></span>
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<span style="font-family: arial;"><a href="https://www.amazon.de/Schaurige-Orte-%C3%96sterreich-Kriminalromane-GMEINER-Verlag/dp/3839204100/ref=sr_1_1" target="_blank"><b>
</b></a></span><span style="font-family: arial;"><span style="color: #990000;"><b>Naked Identity - Wer ist Aya K?</b></span><br /></span><span style="font-family: arial;">Ab 8. April</span><span style="font-family: arial;"> 2024<br /></span><span style="font-family: arial;">ISBN 978-3-7583-3105-3<br /></span></p>
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<span style="font-family: arial;">Fiese Friesen 3<br /><i>Inselmorde zwischen Ebbe und Blut</i></span></h3>
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<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmRQ4wnaQk7RbFzkdRbOrzYnAtlpvIL0W74a7ZxVn9PcyZkhJKGRsIlKtU8KtZzarWptperbqGrON8AUgKnpaRN2clzKL4TJIwtz1TRPf2HHOyGGDXAtGkQZ90dxIeAK6QMjYd9Jh2ym4fYg2cIKPRMCYMrhAciYrezQu6Q163ikfbGCld_BtVsXX3s-4/s3937/fiesefriesen3.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3937" data-original-width="2400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmRQ4wnaQk7RbFzkdRbOrzYnAtlpvIL0W74a7ZxVn9PcyZkhJKGRsIlKtU8KtZzarWptperbqGrON8AUgKnpaRN2clzKL4TJIwtz1TRPf2HHOyGGDXAtGkQZ90dxIeAK6QMjYd9Jh2ym4fYg2cIKPRMCYMrhAciYrezQu6Q163ikfbGCld_BtVsXX3s-4/s320/fiesefriesen3.jpg" width="195" /></a></div></div></div>
<span style="font-family: arial;">Morden, wo es am schönsten ist! Nämlich auf den Ostfriesischen Inseln. Wo andere Urlaub machen und sich vom Stress des Alltags erholen, haben fiese Friesen Böses im Sinn. Sie organisieren tödliche Bootstouren, rächen sich noch nach Jahren für Missetaten und Mobbing, planen Entführungen, tauschen heimtückisch die Rollen und sorgen handgreiflich für Ruhe. Von wegen friedvolles Urlaubsidyll! Ostfriesland kann nicht nur unglaublich malerisch sein, sondern auch extrem spannend - und mörderisch.</span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><br />Mit Beiträgen von </span><span style="font-family: arial;">Thomas Breuer, Daniel Carinsson, Peter Gerdes, Peter Godazgar, Kathrin Heinrichs, Thomas Kastura, Herbert Knorr, Tatjana Kruse, Manfred C. Schmidt</span><span style="font-family: arial;"><br /></span>
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<span style="font-family: arial;"><a href="https://www.amazon.de/Schaurige-Orte-%C3%96sterreich-Kriminalromane-GMEINER-Verlag/dp/3839204100/ref=sr_1_1" target="_blank"><b>
<span style="color: #990000;">Fiese Friesen 3</span></b></a></span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;">(Herausgegeben von Peter Gerdes)</span><span style="font-family: arial;"><br /></span>
<div class="details">
<span style="font-family: arial;">März 2024<br /><i>sofort lieferbar</i><br />ISBN 978-3-8392-0589-1</span></div>
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<span style="font-family: arial;">Goldregen<i><br />Danube after dark<br /></i></span></h3>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwh-R0V7wJDeo-7fDzphVlF86T2_RVGlpucAOFkb_krufUbPZVnfzCN-ydo40yfre2969gjuVgG8mgfauqk52r3-se20AUSYqLkEDCrqmEgzSVCTcTJfQA1Y0VCAQ5HES5DPUXnCchPhXnE9Ewp2M7VVwfKjncyjpTuLLJWQ01KOX3aLryro0wTfaFzbQ/s1080/Daniel-Carinsson-Goldregen-Cover-2024-web.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="671" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwh-R0V7wJDeo-7fDzphVlF86T2_RVGlpucAOFkb_krufUbPZVnfzCN-ydo40yfre2969gjuVgG8mgfauqk52r3-se20AUSYqLkEDCrqmEgzSVCTcTJfQA1Y0VCAQ5HES5DPUXnCchPhXnE9Ewp2M7VVwfKjncyjpTuLLJWQ01KOX3aLryro0wTfaFzbQ/s320/Daniel-Carinsson-Goldregen-Cover-2024-web.jpg" width="199" /></a><span style="font-family: arial;">Zwei Leichen, mit Gewichten in einem trüben Gewässer versenkt – dieses schaurige Bild geht seit Tagen durch alle Medien. Und während die Öffentlichkeit rätselt, ob es sich um Opfer der Mafia in Italien, des Drogenkrieges in Südamerika oder ritueller Handlungen in Indien handelt, glaubt Musikmanager Adam Wischnewski aus Wien die Antwort zu kennen. Mit einer eilig zusammengestellten Gipsy-Combo als Tarnung reist er auf einem Kreuzfahrtschiff die Donau hinunter, um Nachforschungen anzustellen. In Ungarn, das zunehmend von der Furcht vor der rechtsnationalen »Garde« beherrscht wird, merkt er bald: Nicht mehr alle Roma betrachten ihn als Freund</span><span style="font-family: arial;">.</span><span style="font-family: arial;"><br /></span>
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<span style="font-family: arial;"><a href="https://www.amazon.de/Schaurige-Orte-%C3%96sterreich-Kriminalromane-GMEINER-Verlag/dp/3839204100/ref=sr_1_1" target="_blank"><b>
</b></a></span><span style="font-family: arial;"><span style="color: #990000;"><b>Goldregen (2024)</b></span><br /></span>
<span style="font-family: arial;">(Neuauflage)</span><span style="font-family: arial;"><br /></span>
<div class="details">
<span style="font-family: arial;">März 2024<br /><i>sofort lieferbar</i><br />ISBN 978-3-7583-3099-6</span></div><div class="details"><span style="font-family: arial;"> </span></div>
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<span style="font-family: arial;">Baro Drom<i><br />Der lange Weg<br /></i></span></h3>
<p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk8ZTWw32PoRXEcAu2o0F39wmprmgegkNXYopltd2InGvkg7tmU7HH1ikH3n0PjEFJnwn6VK-6gmhyphenhyphenNpNvugI5wlYJcgZdY4ui-VTCDVhJl_hUuiqHu8HUKI5uP2Oq2M7dTIJZok-d7Qe8aqkfvAzHLJUobiuf-KFfcpRrAC12V-od_zmtbV4vxw3-kdE/s1080/Daniel-Carinsson-BaroDrom-2024-web.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="671" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk8ZTWw32PoRXEcAu2o0F39wmprmgegkNXYopltd2InGvkg7tmU7HH1ikH3n0PjEFJnwn6VK-6gmhyphenhyphenNpNvugI5wlYJcgZdY4ui-VTCDVhJl_hUuiqHu8HUKI5uP2Oq2M7dTIJZok-d7Qe8aqkfvAzHLJUobiuf-KFfcpRrAC12V-od_zmtbV4vxw3-kdE/s320/Daniel-Carinsson-BaroDrom-2024-web.jpg" width="199" /></a><span style="font-family: arial;">Zwei Frauen bringen die Routine einer Konzertreise nach Rumänien ganz erheblich durcheinander. Dabei ist Adam Wischnewski seit vielen Jahren als Tourmanager mit Gypsymusikern in ganz Europa unterwegs und daher durchaus einiges gewohnt. Aber noch nie ist er quer über den Balkan gefahren, nur um eine junge Roma-Sängerin abzuholen, die niemand kennt und von der niemand etwas Genaues weiß. Dass plötzlich Mirijam, seine ehemalige Partnerin, die er seit 15 Jahren nicht gesehen hat, auftaucht und ihn auf der Reise begleiten will, gehört auch nicht zum Standardprogramm. Und ausgerechnet Mirijam, scheint etwas Unheilvolles über Alisa, die Sängerin, zu wissen. Hat sie neben Ihrer Tätigkeit als Kunstagentin Mirijam noch einen ganz anderen Job? Je weiter der alte Mercedesbus sie nach Südosten bringt, umso mehr wird aus der beschaulichen Tournee ein abenteuerlicher und verwirrender Road-Trip, an dessen Ende Adam im wahrsten Sinne einen „langen Weg“ zurückgelegt haben wird</span><span style="font-family: arial;">.</span><span style="font-family: arial;"></span></p><p><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><span style="color: #990000;"><b>Baro Drom (2024)</b></span><br /></span>
<span style="font-family: arial;">(Neuauflage)</span><span style="font-family: arial;"><br /></span>
</p><div class="details">
<span style="font-family: arial;">März 2024<br /><i>sofort lieferbar</i><br />ISBN </span><span style="font-family: arial;">978-3-7583-6707-6</span></div>
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<span style="font-family: arial;">Schaurige Orte in Österreich<br /><i>Unheimliche Geschichten</i></span></h3>
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2ZMS7qE3mbSoOaVnTupOWXrYF54u4YVBHqhyphenhyphenOastgWXpNrVmD_7TZDDjXCYVj9H8HfumvaZSrLKPgt9NO3R_tGrzgnsKhW16UUJ5bKao8mkfotSxPkitk2-XOUsMJNUgFd8uQdjV2fLLbSm6YvQqNGvOHJBSUvQt4zPYAVAJu8xQ2B25mNAr9gFa9z7o/s800/schaurigeorteinoesterreich.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="487" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2ZMS7qE3mbSoOaVnTupOWXrYF54u4YVBHqhyphenhyphenOastgWXpNrVmD_7TZDDjXCYVj9H8HfumvaZSrLKPgt9NO3R_tGrzgnsKhW16UUJ5bKao8mkfotSxPkitk2-XOUsMJNUgFd8uQdjV2fLLbSm6YvQqNGvOHJBSUvQt4zPYAVAJu8xQ2B25mNAr9gFa9z7o/s320/schaurigeorteinoesterreich.jpg" width="195" /></a></div></div>
<span style="font-family: arial;">Zwölf schaurige Geschichten von zwölf Autoren über zwölf reale Orte in Österreich, angelehnt an Legenden und Ereignisse von der Keltenzeit bis in die Gegenwart: Welch grausames Opferritual der Sohn eines Druiden in Niederösterreich über sich ergehen lassen musste. Was der Ostbahn-Kurti mit der Burg Hasegg in Tirol zu tun hat. Von den grausamen Gewohnheiten einer ungarischen Gräfin im winterlichen Wien. Und warum einem Geologen in den Steilwänden der Karnischen Alpen in Kärnten schaurige Dinge begegnen.</span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><br />Mit Beiträgen von </span><span style="font-family: arial;">Isabella Archan, Manfred Baumann, Daniel Carinsson, Lutz Kreutzer, Gerhard Langer, Andrea Nagele, Günter Neuwirth, Robert Preis, Eva Reichl</span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><a href="https://www.amazon.de/Schaurige-Orte-%C3%96sterreich-Kriminalromane-GMEINER-Verlag/dp/3839204100/ref=sr_1_1" target="_blank"><b>
<span style="color: #990000;">Schaurige Orte in Österreich</span></b></a></span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;">(Herausgegeben von Lutz Kreutzer)</span><span style="font-family: arial;"><br /></span>
<div class="details">
<span style="font-family: arial;">März 2023<br /><i>sofort lieferbar</i><br />ISBN 978-3-8392-0410-8</span></div>
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<span style="font-family: arial;">Die Stadt, das Salz und der Tod<br /><i>Mörderisches aus Halle an der Saale</i></span></h3>
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<span style="font-family: arial;"><a href="https://www.das-syndikat.com/images/verlag/cover/mittel/7299.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="278" height="320" src="https://www.das-syndikat.com/images/verlag/cover/mittel/7299.jpg" width="192" /></a>Kaum zu glauben, aber Halle (Saale) ist eine Stadt der Superlative:
älteste Bruderschaft (Salzsieder), älteste dauerhaft existierende
naturforschende Akademie (Leopoldina), ältester weltlicher Knabenchor,
älteste – jawohl – Schokoladenfabrik.<br />
2018 wird Halle, die eigentlich beschauliche 240.000-Einwohner-Stadt im
südlichen Sachsen-Anhalt, Schauplatz des Verbrechens – des
literarischen, versteht sich. In der Geburtsstadt von Georg Friedrich
Händel, Hans-Dietrich Genscher und, tja, Margot Honecker kommt so
mancher zu Tode. Und die Täter, einige der namhaftesten
deutschsprachigen Krimiautoren, haben nicht einmal ein schlechtes
Gewissen: Joachim Anlauf, Jean Bagnol, Marc-Oliver Bischoff, Nadine Buranaseda,
Daniel Carinsson, Christiane Dieckerhoff, Peter Godazgar, Tim Herden,
Thomas Hoeps, Thomas Kastura, Tatjana Kruse, Theresa Prammer, Uwe
Schimunek und Sabine Trinkaus.</span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><a href="https://www.thalia.at/shop/home/suggestartikel/ID89262638.html" target="_blank"><b><span style="color: #990000;">Die Stadt, das Salz und der Tod</span></b></a><br />grafit Verlag</span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;">April 2018 <i> </i></span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><i>sofort lieferbar</i></span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;">ISBN 9783894255817</span><span style="font-family: arial;"><br /></span>
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<h3>
<span style="font-family: arial;">Blood on the tracks<br /><i>Mord und Musik</i></span></h3>
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<a href="https://www.das-syndikat.com/images/verlag/cover/mittel/6519.jpg" style="clear: left; float: left; font-family: arial; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="320" height="200" src="https://www.das-syndikat.com/images/verlag/cover/mittel/6519.jpg" width="200" /></a></div>
<span style="font-family: arial;">Mord und Musik, geht das zusammen? Warum eigentlich nicht? Es gab wohl
immer schon mordende Musiker, musikbegeisterte Mörder und Verbrechen,
die zum Klang von Popmusik begangen wurden. Und natürlich gibt es auch
unzählige Songs, die von bösen Buben oder Mädchen und ihren Untaten
berichten. Dass das alte Sprichwort "Wo man singt, da lass dich ruhig
nieder, böse Menschen kennen keine Lieder" nichts weiter als eine
Wunschvorstellung ist, beweisen die 10 Autorinnen und Autoren dieser
Anthologie, deren Titel auf eines der großen Alben von Bob Dylan
verweist.</span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><br /></span>
<span style="color: #990000; font-family: arial;"><a href="https://www.amazon.de/BLOOD-TRACKS-Mord-Musik-Pumpkin/dp/3900965536/ref=sr_1_13?s=books&ie=UTF8&qid=1553442859&sr=1-13&keywords=blood+on+the+tracks" target="_blank"><b>Blood on the tracks (edition kürbis)</b></a></span><span style="color: #990000; font-family: arial;"><br /></span>
<div class="details">
<span style="font-family: arial;">September 2017<br /><i>sofort lieferbar</i><br />ISBN 9783900965532</span></div>
<span style="font-family: arial;"> </span><span style="font-family: arial;"> <br /></span>
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<h3>
<span style="font-family: arial; font-size: 100%;">Goldregen<br /><i>Ein Gipsy-Mystery</i></span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvaMiT_Ns9y4LQNUsgNtrdU_Trd13FLgr10RpnEJ7rjFm8pI2IeX6P31sj4lGdMcfcQo3tHESrUDSO9amlq9_ENlZiGLKUOZJvhzoO3_naVS5KA_kpTeMZbGvf7R4RJuG1vwta2f5EkuM/s1600/Carinsson_Goldregen_Cover_final_mit+Rose.jpg" style="clear: left; float: left; font-family: arial; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvaMiT_Ns9y4LQNUsgNtrdU_Trd13FLgr10RpnEJ7rjFm8pI2IeX6P31sj4lGdMcfcQo3tHESrUDSO9amlq9_ENlZiGLKUOZJvhzoO3_naVS5KA_kpTeMZbGvf7R4RJuG1vwta2f5EkuM/s1600/Carinsson_Goldregen_Cover_final_mit+Rose.jpg" width="120" /></a></div>
<span style="font-family: arial; font-size: 100%;"><span>Zwei </span></span><span style="font-family: arial; font-size: 100%;"><span>Leichen, mit Gewichten in einem trüben Gewässer versenkt – dieses
schaurige Bild geht seit Tagen durch alle Medien. Und während die
Öffentlichkeit rätselt, ob es sich um Opfer der Mafia in Italien, des
Drogenkrieges in Südamerika oder ritueller Handlungen in Indien
handelt, glaubt Musikmanager Adam Wischnewski aus Wien die Antwort zu
kennen. Mit einer eilig zusammengestellten Gipsy-Combo als Tarnung reist
er auf einem Kreuzfahrtschiff die Donau hinunter, um Nachforschungen
anzustellen. In Ungarn, das zunehmend von der Furcht vor der
rechtsnationalen »Garde« beherrscht wird, merkt er bald: Nicht mehr alle
Roma betrachten ihn als Freund …</span><span>.</span><br /></span><span style="font-family: arial;"><br /></span>
<h4>
<span style="font-family: arial; font-size: 100%;"><span>Goldregen<br /><span style="font-style: italic;">Der zweite Fall des Adam Wischnewski</span></span></span></h4>
<span style="font-family: arial; font-size: 100%;"><span>April 2014, <a href="http://arsvivendi.com/index.php?option=com_virtuemart&page=shop.product_details&flypage=flypage2.tpl&category_id=33&product_id=1404&Itemid=53" target="_blank">Ars Vivendi Verlag</a></span></span><span style="font-family: arial;"><br /></span>
<span style="font-family: arial;"><br /></span>
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<h3>
<span style="font-family: arial; font-size: 100%;">Baro Drom - der lange Weg<br /><i>Ein Balkan-Krimi-Gypsy-Road-Movie</i></span></h3>
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<span style="font-family: arial; font-size: 100%;"><span>Zwei Frauen bringen die Routine einer Konzertreise nach Rumänien ganz erheblich durcheinander. Dabei ist Adam Wischnewski seit vielen Jahren als Fahrer und Tourmanager mit Gypsymusikern in ganz Europa unterwegs und daher durchaus einiges gewohnt. Aber noch nie ist er quer über den Balkan gefahren, nur um eine junge Roma-Sängerin abzuholen, die niemand kennt und von der niemand etwas genaues weiß. Dass plötzlich Mirijam, seine ehemalige Partnerin, die er seit 15 Jahren nicht gesehen hat, auftaucht und ihn auf der Reise begleiten will, gehört zwar ebenfalls nicht zum Standardprogramm, lässt ihn aber auf eine angenehme Fahrt mit gemeinsamen Erinnerungen hoffen. Doch dann ist es ausgerechnet Mirijam, die etwas Unheilvolles über Alisa, die Sängerin, zu wissen scheint. Und das ist noch nicht mal alles. Denn neben Ihrer Tätigkeit als Kunstagentin hat Mirijam noch einen ganz anderen Job.</span><br /><br /><span>Je weiter der alte Mercedesbus sie nach Südosten bringt, umso mehr wird aus der beschaulichen Tournee ein abenteuerlicher und verwirrender Road-Trip, an dessen Ende Adam im wahrsten Sinne einen „langen Weg“ zurückgelegt haben wird.</span><br /></span><span style="font-family: arial;"><br /></span>
<h4>
<span style="font-family: arial; font-size: 100%;"><span>Baro Drom – Der lange Weg<br /><span style="font-style: italic;">Der erste Fall des Adam Wischnewski</span></span></span></h4>
<span style="font-family: arial; font-size: 100%;"><span>Oktober 2011, <a href="http://www.editionschlangenberg.at/">Edition Schlangenberg</a></span></span><br />Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com2tag:blogger.com,1999:blog-7235476759135717970.post-66017730870986247202023-11-10T08:57:00.001+01:002023-11-10T08:57:12.275+01:00Sharing + Talk: „Images of Rom:nja Artists in Media and on Stage“ (Festival E Bistarde)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkxzLxFg1N9D3dug_CgQQPFRe_N0LZ4Hget-8OMuZTTEQPQSJ8HM9LinV0iyo8femBc1nPAuhXwOJHGxYB2wUhOa4HdF37giuc59Y2aiqCqwmKvxnxzcbn_seMT0VJlsEUoMWQkHgxxfj2dz_dUnqtfJbhOwokteYfBj50NICME3ri0MxHzzptLHa_fk0/s3934/e-bistarde.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2213" data-original-width="3934" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkxzLxFg1N9D3dug_CgQQPFRe_N0LZ4Hget-8OMuZTTEQPQSJ8HM9LinV0iyo8femBc1nPAuhXwOJHGxYB2wUhOa4HdF37giuc59Y2aiqCqwmKvxnxzcbn_seMT0VJlsEUoMWQkHgxxfj2dz_dUnqtfJbhOwokteYfBj50NICME3ri0MxHzzptLHa_fk0/w640-h360/e-bistarde.jpeg" width="640" /></a></div><span style="font-family: helvetica;"><b>Was für ein inspirierender Abend!</b> Der hochkarätig besetzte Talk „<a href="https://www.dschungelwien.at/festivals/festival-e-bistarde-09-november" target="_blank">Rom:nja Artists in Media and on Stage</a>“ zum Abschluss des <b>Festival E Bistarde</b>, wunderbar ruhig, einfühlsam und souverän moderiert von der Festivalgründern <a href="https://www.gorki.de/de/ensemble/simonida-selimovic" target="_blank"><span>Simonida Selimovic</span></a>. Viele Aspekte, viele Sichtweisen, viel zum Nachdenken, ein sehr großer Bogen und das in wunderbar respektvoller Weise. Wo gibt es das schon noch, dass auf einem Panel alle Teilnehmenden einander die Zeit geben, Gedanken zu entwickeln, einander zuhören und tatsächlich interagieren, statt nur „Standpunkte“ rauszuhauen.</span><p></p><a name='more'></a><p></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Besonders nachhaltig bewegt haben mich die Aussagen und Erzählungen der Schauspielerin und Co-Gründerin des Festivals <a href="https://www.gorki.de/de/ensemble/sandra-selimovic" target="_blank">Sandra Selimovic</a>. Da ist einerseits die zwischen Verzweiflung und Resignation oszillierende Wahrnehmung des Nicht-Wahrgenommen-Werdens, wenn beispielsweise eines der renommiertesten Theaterhäuser Europas ein Stück mit besonders diversem Ensemble auf die Bühne bringt – lobenswert – und dann zum Round-Table Pressegespräch neben den weißen Mitgliedern des Casts zwar zwei Schwarze Darsteller:innen einlädt, aber nicht mal erwähnt, dass sie, Sandra, die erste Romnj ist, die überhaupt auf dieser Bühne spielt.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Gleichzeitig das Leiden darunter, dass wenn eine Romnj oder ein Rom einmal öffentlich wahrgenommen werden, es stets um die Exzellenz geht, nach dem Motto, „seht her, was sie erreicht hat, obwohl….“ Dann aber auch wieder der Schmerz, wenn in der Öffentlichkeit stehende Künstler:innen das Label „Romn:ja“ sozusagen als Marketing nutzen, oder aber – ebenso schmerzhaft empfunden – ihre Zugehörigkeit zu den Roma verschweigen.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Im Grunde fühlt sich alles verkehrt an, ein Empfinden von Zerrissenheit, das Meschen, die wie ich, das unverdiente Privileg haben, zufällig zu einer „Mehrheitsgesellschaft“ zu gehören, kaum erahnen können. Sandra Selimovic hat es gestern Abend spürbar gemacht – ganz ohne Drama.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Die Frage, die sich für mich – neben vielen andere, wie zum Beispiel der, wie es Rom:nja denn gelingen könnte, Künster:in oder auch nicht, sichtbarer und wahrnehmbarer zu werden – eine Frage also, die mich über Nacht beschäftigt, ist die, woher es diesen Druck gibt, überhaupt einer Gruppe zugehörig sein zu müssen. Warum ist die Gesellschaft so versessen darauf Labels zu vergeben und warum sind wir Individuen immer wieder so hinterher, uns einem Label, einer Schublade zuzuordnen.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Mir ist bewusst, dass jemand wie ich, sich leicht tut, zu sagen, er brauche diese Gruppenzugehörigkeit nicht. Klar, wenn man zufällig zu einer „Gruppe“ von rund 100 Millionen deutschsprachigen Weißen im zufällig reichsten Teil der Welt gehört. Wobei ich als Berliner – seinerzeit auch „Saupreiß“ betitelt – der in Bayern aufwuchs, zumindest etwas nachfühlen kann, was es heißt, ausgegrenzt oder mit Steinen beworfen zu werden. Auch wenn das natürlich nur mäßig vergleichbar ist. Ich hab aus dieser Erfahrung aber auch miterlebet, wie es (mindestens) zwei Arten gibt, damit umzugehen. Während ebenfalls „Zuagreiste“ Freunde oder mein Bruder als Teenager alles darangesetzt haben, zur lokalen Mehrheitsgesellschaft dazuzugehören, sei es allein durch Verinnerlichung des bajuwarischen Dialekts, hatte ich die gegenteilige Strategie gewählt, mich bewusst von allen Gruppierungen abzusetzen. Mich anders zu kleiden, als die anderen Jungs, andere Hobbies zu haben usw.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Aber ich schweife ab.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">In der Diskussion gestern ging es einige Zeit auch um die Frage, ob Kunst, die von Rom:nja kreiert wird, sei es Musik oder bildende, per se Roma-Kuns ist. Ob sie das sein muss oder sein sollte. <a class="article-editor-content__link ql-mention" href="https://www.dw.com/de/glaso-stimme-eine-portraitreihe/a-56437310" rel="noopener noreferrer">Gilda-Nancy Horvath</a> brachte dazu den spannenden Gedanken ein, dass das in der Hand der Künstlerin liegen sollte. Sie selbst habe etwas zwei künstlerische Identitäten, eine als die sie Poems und Rap in Romanes verfasst und darbietet, weil sie explizit der Kulturgeschichte ihrer Ethnie Spuren hinterlassen möchte und eine, in der sie abstrakte Theaterstücke schreibt, die nichts mit ihrer Herkunft, Geschichte, noch nicht mal mit ihrer Genderzugehörigkeit etwas zu tun hätten.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Ein Konzept der völlig freien Kunst, das etwa die Digitalwissenschaftlerin und Mitbegründerin des Save Space e.V., <a href="https://www.dw.com/de/roxanna-lorraine-witt/video-65905181" target="_blank">Roxanna-Lorraine Witt</a>, als zwar schöne aber unrealistische Utopie sieht, da es unmöglich sei, einerseits Kunst völlig von der eigenen Geschichte losgelöst zu erschaffen und andererseits diese vollkommen Label-frei zu verbreiten.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Label war auch ein Begriff, der in einer sehr offenen Wortmeldung des rumänisch-österreichischen Komponisten und Pianisten <a href="http://www.adriangaspar.at/adriangaspar.html" target="_blank">Adrian Gaspar</a> eine zentrale Rolle spielte, als er berichtete, dass ihm als Jugendlicher mit seiner ersten Band das Label „<b>#Gypsy</b>-Musik“ und „Gypsy-Musiker“ durchaus genutzt hat, um Publikum, Wahrnehmung und auch Anerkennung zu bekommen. Jahre später hat er versucht, sich davon zu befreien, da er Musik gemacht hat und noch immer macht, die gar keinen direkten Bezug zur Romakultur hat und schon gar nicht dem Klischee von z.B. „Gypsy-Jazz“ entspricht. Wobei er sich bis heute stets fragt, ob es trotzdem „<b>#Roma</b>-Kunst“ sei, da er als Rom sie ja erschafft. Er ist das Label aber nicht losgeworden. Es wurde ihm, egal welche Stilrichtung er dargeboten hat, stets angeheftet. Heute, erzählte er, nutze er das Label wieder aktiv, nach dem Motto, wenn man mich eh immer in die Schublade steckt, dann will ich einerseits zumindest etwas davon haben und andererseits es benutzen, um eben der Roma-Community insgesamt zu mehr Sichtbarkeit zu verhelfen. Dass er das beinahe wie ein Geständnis vortrug, zeigt die Ambivalenz, die der Umgang mit diesen Labeln vor allem für die „Gelabelten“ mit sich bringt.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Wer vergibt also diese Schubladenzuweisungen? Aus der historischen Anthropologie wissen wir, dass wir als Menschen dieses Verhalten, andere zu Kategorisieren evolutionär entwickelt haben, da es für unsere Vorfahren ein Überlebensvorteil war, schnell zwischen Freund und Feind, Gefahr und Entspannung enzscheiden zu können. Aber wie ist das heute? Wer sind die Gatekeeper.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Unter dem Themenaspekt „Medien“ des erschien mir eine Überlegung von erneut Gilda sehr bedenkenswert: <b>#Wikipedia</b>. Das selbsternannte Weltlexikon, dass allgemein als besonders objektiv wahrgenommen wird (Sidebar: es ist es natürlich nicht). Hier gilt unter anderem die Regel, dass niemand Artikel über sich selbst eintragen oder bearbeiten darf. Das soll verhindern, dass Wikipedia eine Selbstinszenierungsplattform wird, was durchaus nachvollziehbar ist. Gleichzeitig bedeutet das, dass hier die Erzählung über zum Beispiel Personen (von öffentlichem Interesse) per Definition in der Hand anderer liegt. Und „anderer“ ist im Bezug zum Beispiel auf die Roma-Community wörtlich zu nehmen. Denn das maßgebliche Kuratorium von Wikipedia besteht no na aus mehrheitlich weißen (älteren) Männern.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Wie könnte ein besseres Konzept aussehen? Wie könnte ein zeitgemäßeres Konzept einer Viennale – auch das noch ein Gedanke von Gilda – aussehen anstelle einer Repräsentation von Nationalstaaten, was so gar nicht zu einer progressiven Kunstwelt des 21. Jahrhunderts passen will?</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;">Um solche vertiefenden Fragen zu verfolgen, reichte die Zeit natürlich nicht. Auch so waren es über zwei Stunden voller Denkanstöße und Einsichten, die das Publikum mit nach Hause und ins Leben nehmen konnten.</span></p><p class="article-editor-content__paragraph"><span style="font-family: helvetica;"><b>Fazit</b>: eine Runde wie diese, leider viel zu oft abgetan als im Wortsinn „Minderheitenprogramm“ (nämlich auch in Bezug auf das Publikumsinteresse), sollte einen Platz im Hauptprogramm öffentlich rechtlicher Sender haben, nicht nur auf Bühne 3 des <a class="article-editor-content__link ql-mention" href="https://www.dschungelwien.at" rel="noopener noreferrer">Dschungel Wien</a> (Theater in Wien, Anm.). Es würde unsere Gesellschaft bereichern.</span></p><p class="article-editor-content__paragraph"><b style="font-family: helvetica;">Den Veranstalter:innen und Teilnehmenden danke ich daher umso mehr für den inspirierenden Abend.</b></p>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-20655673772634790182023-08-21T23:29:00.005+02:002023-08-22T20:39:37.472+02:00Im Spiegelkabinett des David Holz oder wie wir in der K.I. uns selbst erkennen<div><p><span lang="DE-AT" style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><span lang="DE-AT" style="font-family: arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2kuCwMW4e-_afnKsll-p6XekyFBx1jgdqJiu3fyWlBY9oafvu18hjMKP8RbBdJPC_Hw4zwVnxLPDr4FVLlbSDV6_kkawJFFdbLK5YgsOuvjQvLXCIvinCAQPbeZ2jDU4JXk3usZ7Q8TgQOS_LBJIIIr4_h6F3GFuo_yYk_Ny9mpU27zjqN22atz_xgGk/s1920/robot-paints-the-world-16-9.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2kuCwMW4e-_afnKsll-p6XekyFBx1jgdqJiu3fyWlBY9oafvu18hjMKP8RbBdJPC_Hw4zwVnxLPDr4FVLlbSDV6_kkawJFFdbLK5YgsOuvjQvLXCIvinCAQPbeZ2jDU4JXk3usZ7Q8TgQOS_LBJIIIr4_h6F3GFuo_yYk_Ny9mpU27zjqN22atz_xgGk/w640-h360/robot-paints-the-world-16-9.jpg" width="640" /></a></span></div><span lang="DE-AT" style="font-family: arial;"><br />Zugegeben, bezüglich der bildgenerierenden Künstlichen Intelligenz (K.I.) schlagen zwei Herzen in meiner Brust. Das kreative ist begeistert, denn mit den Wort-Bild-Modellen wie Midjourney & Co bin ich als sehr visuell denkender Mensch plötzlich in der Lage, Dinge zu realisieren, die mir mangels zeichnerischen Talents oder photographischer Möglichkeiten bislang verschlossen blieben. So kann ich jetzt zum Beispiel meine Romane selbstständig illustrieren oder sogar als Comic realisieren und so ein ganz neues Genre erschließen.</span><p></p><a name='more'></a><p><span lang="DE-AT" style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQZEPJbrBGt4KIAhZpJfn9EI2Z1V_W7Krpym85j2XfOQg68LKU8wdQYjK2k797P7M4X9atjUBDsJunpKJpnjEYdF343CzFijGdYsYGxGBkmau5Hs-lXNMDl5vCT2gkrMZMB3Jmi6ny3Ej62nP5xAi25RaJ19l8HTsE3svDv7GnCfJ3Z5vd3CcnBGEdClk/s911/2023-08-21_19h13_44.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="911" height="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQZEPJbrBGt4KIAhZpJfn9EI2Z1V_W7Krpym85j2XfOQg68LKU8wdQYjK2k797P7M4X9atjUBDsJunpKJpnjEYdF343CzFijGdYsYGxGBkmau5Hs-lXNMDl5vCT2gkrMZMB3Jmi6ny3Ej62nP5xAi25RaJ19l8HTsE3svDv7GnCfJ3Z5vd3CcnBGEdClk/w200-h176/2023-08-21_19h13_44.png" width="200" /></a></div><!--[if gte mso 9]><xml>
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Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
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<p></p><p class="MsoNormal"><span lang="DE-AT" style="font-family: arial;"><span style="font-size: x-small;"><i>David Holz ist der Gründer und Leiter des
Midjourney Forschungsinstituts, das unter dem gleichen Namen die aktuell
meistgenutzte K.I. entwickelt hat, die aus Texten Bilder generieren kann.</i></span></span><span style="font-family: arial;"> </span></p><p class="MsoNormal"><span style="font-family: arial;">Andererseits gelten für die bild- und inzwischen ja sogar videogenerativen K.I. Modelle dieselben Vorbehalte wie gegenüber den großen Sprachmodellen, etwas ChatGPT. Niemand weiß, anhand welchen Ausgangsmaterials diese Systeme trainiert wurden, welche Urheberrechte dabei – vermutlich – in großem Stil, sagen wir es freundlich, ignoriert wurden und sie schaffen das Problem, was wir künftig eigentlich noch glauben können, in unserer Bild- und Video lastigen Internetwelt noch drastischer als reine Textanwendungen.</span></p><p class="MsoNormal"><span style="font-family: arial;"><b>Aber darum soll es hier einmal gar nicht gehen.</b></span></p><p class="MsoNormal"><span style="font-family: arial;">Die bildgenerierenden Systeme eröffnen uns nämlich auch einen spannenden Blick… auf uns selbst.</span></p><p class="MsoNormal"><span style="font-family: arial;">Für alle, die nicht so tief im Thema sind, sei ganz kurz erläutert wie Midjourney & Co funktionieren. Alle anderen können den folgenden Absatz ja einfach überspringen.</span></p><p class="MsoNormal"><span style="font-family: arial;">Die bildgenerierenden K.I.-Systeme sind keine „Sample-Maschinen“, wie sie häufig etwas irreführend benannt werden. Die K.I. ist also kein Photoshop-Supermeister, der aus unzähligen Bildschnipseln aus dem Internet neue Bilder zusammen collagiert. Die K.I. hat tatsächlich „gelernt“, Objekte zu erkennen und Bilder von Objekten neu zu erstellen. Und das in drei eigentlich frappierend einfachen Schritten.<br /></span></p><ol style="text-align: left;"><li class="MsoNormal"><span style="font-family: arial;">Hat man der K.I. ein Bild von z.B. einer schwarzen Katze gezeigt und der K.I. gesagt, „das ist eine Katze“<br /><br /></span></li><li class="MsoNormal"><span style="font-family: arial;">Jetzt hat man das Bild immer mehr „verrauscht“, also im Grunde unschärfer gemacht, bis das Bild nur noch „weißes Rauschen“ war. „Weißes Rauschen“ nennt man die vollkommen zufällige Verteilung von Farbpunkten auf einer Fläche. <br /><br /></span></li><li><span style="font-family: arial;">Und nun hat man der K.I. gesagt, „mach aus dem Rauschen wieder die Katze“. Die K.I. bringt also die Farbpunkte (Pixel) ein einer, wie „sie“ glaubt, Ordnung. Dann vergleicht man das Ergebnis mit dem „Werk“ der K.I. was erstmal ernüchtern ist, sprich, das neue Bild hat nichts mit einer Katze zu tun. Die K.I. bekommt „Strafpunkt“. Das Praktische bei einem viralen Netzwerk, also einer K.I., ist, dass sie unglaublich schnell unglaublich viele Versuche abarbeiten kann, wieder eine Katze aus dem Rauschen zu machen. Und irgendwann hat sie den „Dreh raus“. Das Ergebnis ist eine schwarze Katze. Je nach zufälliger Verteilung der Pixel im weißen Rauschen zwar eine etwas andere als auf den Ursprungsbild. Aber die K.I. kann jetzt aus Rauschen das Bild einer schwarzen Katze erstellen. </span></li></ol><p class="MsoNormal"><span style="font-family: arial;">Das Ganze billionenfach mit allen möglichen Bildern und Schlagworten wiederholt, ist die K.I. nun in der Lage auf jede Art von Texteingabe Bilder nur aus weißem Rauschen zu erstellen.<br /><br />Das Wichtige aber ist: alles „Wissen“ über jedweder Art von Bildmotiven hat die K.I. – mithilfe von zigtausenden, schlechtest bezahltesten Arbeitssklaven aus aller Welt, die all diese Schlagworte ja erstmal erstellen mussten. Aber das ist eine andere Geschichte – aus dem Internet. Und dorthin gekommen sind all diese Bildinformation von uns Internetnutzer:innen.<br /><br />Wenn wir uns also Bilder von z.B. Midjourney erstellen lassen, bekommen wir ein Konzentrat dessen zu sehen, was wir – die Netzbevölkerung – in den letzten 25 – 30 Jahren dort an Bilder und Videos hineingekippt haben.<br /><br />Und das ist sehr vielsagen. <b>Spoiler</b>: es schmeichelt uns nicht.<br /><br />Kurz noch eine Info für diejenigen, die sich mit diesen Tools noch nicht befasst haben. Midjourney liefert auf jeden Bildauftrag vier Variationen, von denen man sich dann eine aussucht, um sie weiter zu verfeinern oder nochmal neu anfängt.<br /><br />Ich sage Midjourney als z.B.: mach mir ein Bild von einer Frau in einem blauen Kleid. Midjourney „spricht“ am besten Englisch und die Befehle – „Promt“ genannt – macht man etwas weniger blumig, als man den Auftrag einer Fotografin mitteilen würde. Also sieht so ein Prompt dann so aus:<br /></span></p><p class="MsoNormal"><span style="font-family: arial;"></span></p><blockquote><span style="font-family: arial;">/imagine prompt woman in blue dress</span></blockquote><span style="font-family: arial;">Und das ist das erste Ergebnis:</span><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9fKGZZ1O1n8yKM1zITFkXIK9Z9NNyG-etGorgn1V3D0kS50a0T7NqAX_tY0C5xuXcPcCxVaMUL8cjknBT4PhHQ9akZVNS2_HmAZmtm2Q2Sl39MaBEPNUWxve0RHYe1RSwhIHEmkHGVtEJjSUOZQOQ2aHbbaH-6_q4j3YYJQdkWOilKtg11FuV1d-7CaQ/s610/Bild1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="572" data-original-width="610" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9fKGZZ1O1n8yKM1zITFkXIK9Z9NNyG-etGorgn1V3D0kS50a0T7NqAX_tY0C5xuXcPcCxVaMUL8cjknBT4PhHQ9akZVNS2_HmAZmtm2Q2Sl39MaBEPNUWxve0RHYe1RSwhIHEmkHGVtEJjSUOZQOQ2aHbbaH-6_q4j3YYJQdkWOilKtg11FuV1d-7CaQ/w400-h375/Bild1.jpg" width="400" /><!--[if gte mso 9]><xml>
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<![endif]--></a></div><span style="font-family: arial;">Hübsch, oder?</span></div><div><span style="font-family: arial;"><p><b>Was fällt uns auf?</b></p>Keine der Frauen auf den vier Varianten ist älter als – hm, 25? Sie sind alle weiß, alle schlank und ganz ehrlich, Kolleginnen von mir tragen öfter blaue Kleider, aber ich habe noch nie eine von ihnen mit Ausschnitten, wie die der von Midjourney kreierten Damen erlebt.</span></div><div><span style="font-family: arial;"> </span></div><div><span style="font-family: arial;">Nun kann das natürlich Zufall sein. Wie gesagt, weißes Rauschen und so.<br />Ich habe Midjourney daher denselben Auftrag noch fünfmal erteilt. Da war dann zumindest ein etwas höhergeschlossenes „Model“ dabei:</span></div><div><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbr_y6i9tucuu_EsEfT06fcOiV_XMLeJNXZtbu7BxW9t5BLtDliCzkmUV_NlfY-V4e41ImqwdJvE_oxfnmlB9XBS1zhLV-dZtFKPoftnQj7T2KxrTMECTF_gpgpIOvsAJ5HVpAKX2u-5ksUtAZ93gVnDo249qpJmZwBeF1wxuZgVp4uzD4_f5_eLRis70/s589/Bild2.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="572" data-original-width="589" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbr_y6i9tucuu_EsEfT06fcOiV_XMLeJNXZtbu7BxW9t5BLtDliCzkmUV_NlfY-V4e41ImqwdJvE_oxfnmlB9XBS1zhLV-dZtFKPoftnQj7T2KxrTMECTF_gpgpIOvsAJ5HVpAKX2u-5ksUtAZ93gVnDo249qpJmZwBeF1wxuZgVp4uzD4_f5_eLRis70/w400-h389/Bild2.png" width="400" /> </a></div></span><div style="text-align: left;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"> </div></span><div style="text-align: left;"><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;">Aber von jeglicher Diversität, älteren Frauen, Women of coulour, ein Dress – was ja bekanntlich einfach nur „Kleid“ bedeutet und nicht etwa „Abendkleid“ – mit dem man auch Mittwochs mal ins Büro gehen würde – Fehlanzeige. </div><div style="text-align: left;"><p>Die K.I. hat im Internet also „gelernt“. Frauen sind nie älter als maximal 30, sie tragen zuallermeist Kleider, die tief blicken lassen und vor allem sind sie ausschließlich weiß.</p></div><div style="text-align: left;">Machen wir den Gegentest:<br /><blockquote>/imagine prompt man in blue suit</blockquote></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRlklveaJV3vwyjRYY9TjVBBGUAIxjCeOd5mmRhXVWX_7ITh5Pt32oQgu6iUsQqN03ITm4GQS7ZWui3nR-J-Le37oAJLuzeSgyr3Ar1HDaMUIv-wdjd2CsBXeOY4Q8tcw3BUyuZJ5V6sR9-SkDc8P6Uo6DDGfEEDAyU2ARq5YGxcYrgK_4n4iwJq2ziWU/s575/Bild3.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="575" data-original-width="575" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRlklveaJV3vwyjRYY9TjVBBGUAIxjCeOd5mmRhXVWX_7ITh5Pt32oQgu6iUsQqN03ITm4GQS7ZWui3nR-J-Le37oAJLuzeSgyr3Ar1HDaMUIv-wdjd2CsBXeOY4Q8tcw3BUyuZJ5V6sR9-SkDc8P6Uo6DDGfEEDAyU2ARq5YGxcYrgK_4n4iwJq2ziWU/w400-h400/Bild3.png" width="400" /></a></div><br /></div></span><span style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;">Ich will niemanden langweilen, daher kürze ich ab: auch hier nach fünf Wiederholungen des immer gleichen Auftrags: alle weiß, kein graues Haar oder auch nur der Ansatz einer Glatze, alle schlank und rank, wie frisch aus dem Fitnessstudio.<br /> </div><div style="text-align: left;">Verfeinern wir das Ganze etwas und da hier die Jungs schon so Business-like daherkommen, bitten wir die K.I.<br /><blockquote>/imagine prompt women in business dress</blockquote></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHL7anmCHbTRwV-Q1G6QZ4keHHgWisgL4FYhXO1IiutEEDxSuxDKrlXdJYw55uQOF7JAzOzK45zGZ3c5Yn7zTMkw8V4m1xxEMnNFGRm8bHoapE-VajNCQKQy9l_XkZuhNkE4bgcG-Dz7oO2OPFzcoxtU7mlrY7Z6m9cSrxU29it05ib1P1b7cj4oaAGVU/s612/Bild4.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="582" data-original-width="612" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHL7anmCHbTRwV-Q1G6QZ4keHHgWisgL4FYhXO1IiutEEDxSuxDKrlXdJYw55uQOF7JAzOzK45zGZ3c5Yn7zTMkw8V4m1xxEMnNFGRm8bHoapE-VajNCQKQy9l_XkZuhNkE4bgcG-Dz7oO2OPFzcoxtU7mlrY7Z6m9cSrxU29it05ib1P1b7cj4oaAGVU/w400-h380/Bild4.png" width="400" /></a></div><br /></div></span></div></div><span style="font-family: arial;">Na also! Eine von vier ist tatsächlich zugeknöpft und jene, die wiederum gar keine Knöpfe an der Bluse zu haben scheint, könnte man mit viel gutem Willen immerhin als Latina durchgehen lassen. <br /></span></div><div><span style="font-family: arial;"><b><br />Aber verlassen wir mal das Büro:<br /></b><blockquote>/imagin prompt athlete in sportswear</blockquote>Wohlgemerkt: „Athlete“ im Englischen sagt nichts über das Geschlecht aus!</span></div><div><span style="font-family: arial;"> </span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB3msEXDsPC40fDAjOaXW4uwBosn1hBwqIebY7V7rkn7JfK1SceJxeeWvU5Wff-WSliTmCHTZYeuDzVh8QCBdW-7Vyx_Anr6qLxQlkRgRwSLUkFHTKKhzbclZBo83ZXSc6Nx-mOmSpbQmgkC3OpSEgs-f1S8FpH2k7omK9wMQmHv4wSznJj3N_Nma-ZX8/s635/Bild5.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="635" data-original-width="590" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB3msEXDsPC40fDAjOaXW4uwBosn1hBwqIebY7V7rkn7JfK1SceJxeeWvU5Wff-WSliTmCHTZYeuDzVh8QCBdW-7Vyx_Anr6qLxQlkRgRwSLUkFHTKKhzbclZBo83ZXSc6Nx-mOmSpbQmgkC3OpSEgs-f1S8FpH2k7omK9wMQmHv4wSznJj3N_Nma-ZX8/w371-h400/Bild5.png" width="371" /></a></div><span style="font-family: arial;"> </span></div><div><span style="font-family: arial;">Und – hurra – tatsächlich keine Gender-Bias. Wir haben zwei Männer und zwei Frauen und - ist es es glauben - das Internet und die K.I. kennen also doch Schwarze und People of Colour! Im Sport jedenfalls. Eh klar: haben Sie im Netz Mike Jourdan schon mal mit ´ner Exceltabelle gesehen? Eben.<br /> </span></div><div><span style="font-family: arial;"><b>Geben wir etwas Gas</b>:<br /> </span></div><div><span style="font-family: arial;">„Dancer“ – angelsächsisch eigentlich ebenfalls ohne Geschlechtshinweis - …</span><br /><p></p>
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{mso-style-name:"Normale Tabelle";
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<![endif]-->
<p class="MsoNormal"><span lang="DE-AT" style="font-family: arial;">…sind im Netz doch immer weiße Frauen in
weiten Kleidern.</span></p>
<p class="MsoNormal"><span lang="DE-AT" style="font-family: arial;">Auf der Straße hingegen…</span></p><p class="MsoNormal" style="text-align: left;"><span lang="DE-AT" style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5iyChOms5OFTI-zFjTBbstKCzWMIchs1KRqMKzYsFHeS5q7qlSoLQAOu6bwi5o81WpNsQ8Cczg8fMN6aZLcPQcB3G46Gkmt7N1AEPjGCRz9AgLLavQ0SZcETUPuDkojcoMsu0_PDZ4Zq9hWmjbnlPYNkN92KjvnWVEK08za7zSdQt3kZViP-FPuSoBXY/s614/Bild7.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="560" data-original-width="614" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5iyChOms5OFTI-zFjTBbstKCzWMIchs1KRqMKzYsFHeS5q7qlSoLQAOu6bwi5o81WpNsQ8Cczg8fMN6aZLcPQcB3G46Gkmt7N1AEPjGCRz9AgLLavQ0SZcETUPuDkojcoMsu0_PDZ4Zq9hWmjbnlPYNkN92KjvnWVEK08za7zSdQt3kZViP-FPuSoBXY/w400-h365/Bild7.png" width="400" /> </a></div><p><span lang="DE-AT" style="font-family: arial;"></span></p><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;"><span style="font-family: arial;">…dürfen auch Buben tanzen und bei den Mädls auch dunkelhäutige mitmachen.<br />Millionäre sind…</span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbVXBUOOkQs4C5OujJWCOgLQnfLU-Qz3p02yvLQ2sfY4p5Bd6IvVsetXfsIlXJSF_rNi1gJQpPf05M5qPJvu6yT_6kayqYGO-hTyjfDy8MX79mFV_JrmLoLSh0evPez1F3taXDbsJ3XQK88OsS0ubnrYtZ8NRHl44IUYeqa4_joycrBqmrRxmvnI4xFjI/s579/Bild8.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="570" data-original-width="579" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbVXBUOOkQs4C5OujJWCOgLQnfLU-Qz3p02yvLQ2sfY4p5Bd6IvVsetXfsIlXJSF_rNi1gJQpPf05M5qPJvu6yT_6kayqYGO-hTyjfDy8MX79mFV_JrmLoLSh0evPez1F3taXDbsJ3XQK88OsS0ubnrYtZ8NRHl44IUYeqa4_joycrBqmrRxmvnI4xFjI/w400-h394/Bild8.png" width="400" /></a></div><div style="text-align: left;"><span style="font-family: arial;">… selbstredend immer weiß und im Internet wird man wohl ausschließlich mit Mitte Zwanzig, Anfang Dreißig zum Millionär. Schöne Sache.</span></div><div style="text-align: left;"><span style="font-family: arial;">Als Kontrast wollte ich „Gang Mitglied“ probieren:</span><br /></div><div style="text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSprRxvq32YUcAv_ERzifUiJG3x0PCUvKCDVVX2vIzYTrupu9vgAcgf8PYFsC5WFOSIdaO67RzRIe5mua3la62D6ugE_Rg4gomM1RFi3pQWLZYgswpjfCG87LBUv8Y-NyU6fL_vZrn2y05O0Y4tBfXplR17KNaRQEYi7ugDVqA6zAzkZoaKurMZ9eU-7A/s907/Bild9.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="346" data-original-width="907" height="153" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSprRxvq32YUcAv_ERzifUiJG3x0PCUvKCDVVX2vIzYTrupu9vgAcgf8PYFsC5WFOSIdaO67RzRIe5mua3la62D6ugE_Rg4gomM1RFi3pQWLZYgswpjfCG87LBUv8Y-NyU6fL_vZrn2y05O0Y4tBfXplR17KNaRQEYi7ugDVqA6zAzkZoaKurMZ9eU-7A/w400-h153/Bild9.png" width="400" /> </a></div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;"><span style="font-family: arial;">Aber das findet die K.I. Moderation nicht angemessen. Angesichts dessen, was jetzt folgt, ein fast niedlicher Versuch „politisch korrekt“ zu sein.<br /> </span></div><div style="text-align: left;"><span style="font-family: arial;">Haben Sie von dem Shitstrom gehört, mit dem sich Bradley Cooper gerade herumschlagen muss, weil er es verabsäumt hatte, vor seiner Darstellung des großen Komponisten Leonard Bernstein zum jüdischen Glauben zu konvertieren und sich eine prosthetisch vergrößerte Nase hat aufsetzen lassen, für die Dreharbeiten (wohl, um Bernstein möglich ähnlich zu sehen, was bei einem Biopic nicht das Verkehrteste ist. Aber vielleicht bin ich naiv und außerdem schweife ich ab)<br /> </span></div><div style="text-align: left;"><span style="font-family: arial;"><b>Schauen wir, wie die K.I. im Netz Juden kennengelernt hat?</b></span> <br /></div></div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqrWWaI9He4DAkYIgUslGb0E1gxxQBRRy6Cy6Z_WCTNSu1MCps_VWFgECQDzH4wUsT1b2LCZD4gPFgoFVUTxRdeXPxL3Y-DiO3oKj2wdlnomPiRHqzVnnNVYR9y2_01wVFDXSHUk5iBion10WLX3SvIoZfn4EhQTaZqLNfASEqfAgQU3bPKG0f871pQbc/s595/Bild10.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="579" data-original-width="595" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqrWWaI9He4DAkYIgUslGb0E1gxxQBRRy6Cy6Z_WCTNSu1MCps_VWFgECQDzH4wUsT1b2LCZD4gPFgoFVUTxRdeXPxL3Y-DiO3oKj2wdlnomPiRHqzVnnNVYR9y2_01wVFDXSHUk5iBion10WLX3SvIoZfn4EhQTaZqLNfASEqfAgQU3bPKG0f871pQbc/w400-h389/Bild10.png" width="400" /></a></div><br /><span lang="DE-AT" style="font-family: arial;"><div class="separator" style="clear: both; text-align: center;"><div style="text-align: left;">Aha! Ich sag das Wort, dass sich auf „Hase“ reimt, extra nicht nochmal.<br />Spannend aber: mein Versuch eine „Jüdin“ darstellen zu lassen – Englisch „Jewess“ – finden Midjourney wiederum kritisch:</div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUHAzbnQwYMCIL8Xh0BbH4Pm-ufyKg695zajGU5N2Acgj4Z2T0u3XxSpsxY4HtLlMksc6vjijtea3h9FPSgOyLDlt7eEdbgEbY1Aa0ZU86lJlD55aYdHycxI7AKWaN3iL_OUrl1fUBMgBsisBIhrf1RG6O9iC1jhz9Jn91qUDFxiHSusyjYdF4-_b9psE/s907/Bild11.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="442" data-original-width="907" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUHAzbnQwYMCIL8Xh0BbH4Pm-ufyKg695zajGU5N2Acgj4Z2T0u3XxSpsxY4HtLlMksc6vjijtea3h9FPSgOyLDlt7eEdbgEbY1Aa0ZU86lJlD55aYdHycxI7AKWaN3iL_OUrl1fUBMgBsisBIhrf1RG6O9iC1jhz9Jn91qUDFxiHSusyjYdF4-_b9psE/w400-h195/Bild11.png" width="400" /></a></div>Warum? Wir wissen es nicht. Aber interessant, welche Blüten der Versuch trägt, in Sachen Political Correctness eine „weiße Weste“ (im Wortsinn?) zu behalten. <br /></span><p></p><p><span lang="DE-AT" style="font-family: arial;">Und damit aber zu dem, weshalb ich überhaupt auf diese kleinen Experimente gekommen bin. Manche wissen vielleicht, dass es in meinen Roman zentral um osteuropäische Roma geht, daher hatte ich beim Brainstorming für ein neues Buchcover Midjourney nach „Gypsy“ gefragt. Und bin gleich mit der Höchststrafe belegt worden:<br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjxdd9LYw03nLJ0u3lDiLuiCR_jpdZx6L1xYKwErJdLm7-hAGsW0HEnkwDioikBxlHhIk1MQgFmpq1n8p4PMF8KmX5CXms_y4BliHS4o-oMAwB2UXIk_1Op3F4jWaBadDPztosJ1MOrhk3d-lAlori_ZDiLvikaT1WmsliT7q9o1gpkRGEMSixCYVJ5p0/s530/Bild12.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="104" data-original-width="530" height="79" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjxdd9LYw03nLJ0u3lDiLuiCR_jpdZx6L1xYKwErJdLm7-hAGsW0HEnkwDioikBxlHhIk1MQgFmpq1n8p4PMF8KmX5CXms_y4BliHS4o-oMAwB2UXIk_1Op3F4jWaBadDPztosJ1MOrhk3d-lAlori_ZDiLvikaT1WmsliT7q9o1gpkRGEMSixCYVJ5p0/w400-h79/Bild12.png" width="400" /></a><span style="font-family: arial;"> <br /></span></div><p></p><p><span style="font-family: arial;">„Gypsy“ geht gar nicht. Sagen zwar alle, die gerade das Z-Wort eben nicht mehr nutzen, um politisch korrekt zu sein und auch viele Roma </span><span style="font-family: arial;">selbst</span><span style="font-family: arial;"> benutzen das englische Wort, aber was wissen wir schon, was politisch korrekt ist. Immerhin: die „Gypsy Kings“ können sich freuen, dass sie wohl nie auf Bildern von Midjourney auftauchen werden. <br /></span></p><p><span style="font-family: arial;">Also versuchen wir’s anders. <br />„Romnja“ – die korrekte, internationale Bezeichnung einer Roma-Frau…</span><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5lRnxqji5D2x78cYpei7oz-0TTnS6pN2hwctocXDPOu0svGS1aMh4b8eWtyJahS7H42ZunL5SKWCPxmVBT4sTj3RQhiBpMyUFSDe2mcAAgfeY8-g8XMPuuY1HVVrmOIKcE8aAjgFfiSxVSr0dlz24QGjZqov4aBNmiK5WLrKc4OPMFlfZmQ7Q2jbIDUE/s602/Bild13.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="569" data-original-width="602" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5lRnxqji5D2x78cYpei7oz-0TTnS6pN2hwctocXDPOu0svGS1aMh4b8eWtyJahS7H42ZunL5SKWCPxmVBT4sTj3RQhiBpMyUFSDe2mcAAgfeY8-g8XMPuuY1HVVrmOIKcE8aAjgFfiSxVSr0dlz24QGjZqov4aBNmiK5WLrKc4OPMFlfZmQ7Q2jbIDUE/w400-h378/Bild13.png" width="400" /></a></div><p><span style="font-family: arial;"><b>Autsch</b>! (und wow, wir haben eine Wissenslücke bei der „allwissenden“ K.I. entdeckt!)<br />Mit „Roma Woman“ ist es wegen der gleichnamigen Stadt leider kompliziert: <br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAnXhJ70wKlEBVSuv-SHtHVlEOj6QkybPDEcT5r8tzKZnxs4th7AZKZ8LO41KFuFBMbYWyRYbC0joClJe59wqm2RVEAlryLRxVRQFdn2yJRkkf09TMbR1tsCkR_DM8l9mBw01NkuH4emTadzl9HVlc-vX_m509VmeNkRfze7f-7iTz-swXncX9ptyjuQo/s602/Bild14.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="575" data-original-width="602" height="383" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAnXhJ70wKlEBVSuv-SHtHVlEOj6QkybPDEcT5r8tzKZnxs4th7AZKZ8LO41KFuFBMbYWyRYbC0joClJe59wqm2RVEAlryLRxVRQFdn2yJRkkf09TMbR1tsCkR_DM8l9mBw01NkuH4emTadzl9HVlc-vX_m509VmeNkRfze7f-7iTz-swXncX9ptyjuQo/w400-h383/Bild14.png" width="400" /></a></div><br /><span style="font-family: arial;">Hier scheint sich die K.I. selbst nicht ganz sicher zu sein, und macht im Zweifel mal beides. Frauen irgendwie in bunten Gewändern und im Hintergrund vorsichthalber die ewige Stadt. <br />Was aber auffällt: erstmals tauchte eine Dame jenseits der 30 auf. Na sowas.<br />Wir versuchen es mit einer präziseren Umschreibung:<br /><blockquote>„Woman belonging to the etnical group of the Roma"</blockquote></span><br /><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrxPrjh-PE2ZWfJ2lWSlKrenBtUZzjDL53yLaKQwfIQMSjrwu48Jz9T8ljU2kWJFvMZP4rEKp0s7KUFSiqvnGpPmKuLKsFs5GHxu4AFnLTIRJMPPRfvXb1TAqLOVix03sL0iNoYEVCVgeJ3dnHZ4PL0-R1bo--X3otb9yxXAZ7LQO_N6htIE0sakmY9EU/s580/Bild15b.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="580" data-original-width="568" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrxPrjh-PE2ZWfJ2lWSlKrenBtUZzjDL53yLaKQwfIQMSjrwu48Jz9T8ljU2kWJFvMZP4rEKp0s7KUFSiqvnGpPmKuLKsFs5GHxu4AFnLTIRJMPPRfvXb1TAqLOVix03sL0iNoYEVCVgeJ3dnHZ4PL0-R1bo--X3otb9yxXAZ7LQO_N6htIE0sakmY9EU/w391-h400/Bild15b.png" width="391" /></a></div><p><span style="font-family: arial;"><b>Oha! </b><br />Was soll man sagen?: Romnja sitzen also immer vor dunklen Hintergründen, tragen Vorhänge über den Schultern und sind zu 75% fortgeschrittenen Alters. <br />Das verlangt nach einer weiteren Probe. <br /></span></p><blockquote><span style="font-family: arial;">„Man belonging to the etnical group of the Roma“</span></blockquote><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNcOWB3z3g37031HD0H69dMWb8HP8taaiVItnrnvBShTYBwJ_4qGksvHGDxdTE6ZeuvYh0SBqO-x9STM3cm8iSzeYnIvFVwx6o4STSCihAuvIJ2eL3B9nrelrMnzjGBaQC5IupxP0DS6e6zHIUzVBGeHquT94PAHMaRtwB5C-D_yYtkqPaRDtx-ePLZBg/s578/Bild16.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="564" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNcOWB3z3g37031HD0H69dMWb8HP8taaiVItnrnvBShTYBwJ_4qGksvHGDxdTE6ZeuvYh0SBqO-x9STM3cm8iSzeYnIvFVwx6o4STSCihAuvIJ2eL3B9nrelrMnzjGBaQC5IupxP0DS6e6zHIUzVBGeHquT94PAHMaRtwB5C-D_yYtkqPaRDtx-ePLZBg/w390-h400/Bild16.png" width="390" /></a></div><span style="font-family: arial;">Die es nicht besser macht. Im Gegenteil (Randnotiz: mit Nummer 1 bei den Männern und Nummer 4 bei den Frauen würde Hollywood die Hauptfiguren meines Buches allerdings sicher sofort besetzen. Immerhin.)<br /></span><p></p><p><span style="font-family: arial;">Noch eine Probe:<br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDAK_nibKYegP8RTj3Po5EMpLLjQMkTVg2TlTYvZcqCivWs-LLutd7PSfJcMwYcynIxTbi6aQyJl8O5RfqfMlyPfzRwhW-xkr-ZCYg3M1iZ4GYhCft2R2179C1vD6edBFcrn6rCi3z9WuyEfNaYu20UvTA7ZoSmobYwu-ndBDrnv87wZG4Ks4qruQxCCU/s623/Bild17.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="569" data-original-width="623" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDAK_nibKYegP8RTj3Po5EMpLLjQMkTVg2TlTYvZcqCivWs-LLutd7PSfJcMwYcynIxTbi6aQyJl8O5RfqfMlyPfzRwhW-xkr-ZCYg3M1iZ4GYhCft2R2179C1vD6edBFcrn6rCi3z9WuyEfNaYu20UvTA7ZoSmobYwu-ndBDrnv87wZG4Ks4qruQxCCU/w400-h365/Bild17.png" width="400" /></a></div><br /><span style="font-family: arial;">Ciao bella! Und weil diese K.I. (Künstliche Italienerinnen) gar so liebreizend sind, wollen wir es damit gut sein lassen und zu der Frage kommen: <br /></span><p></p><p><span style="font-family: arial;"><b>So what? <br /></b></span></p><p><span style="font-family: arial;">Dass die Sprachmodelle voller Vorurteile und politisch gefärbt sind, haben wir ja eh auch längst gelesen. ChatGPT ist angeblich eher links libertär und Metas neues LLaMA2 eher rechts autoritär. Nun ist also auch die künstliche Bilderwelt voller Stereotypen, soll uns das überraschen?</span></p><p><span style="font-family: arial;"><b>Soll es nicht.</b></span></p><p><span style="font-family: arial;">Wir sollten es nur wissen, nicht vergessen und auch daran denken: aus dem Internet „lernen“ nicht nur die künstlichen, neuronalen Netzwerke die Welt zu sehen, sondern auch die biologischen Synapsen…unserer Kinder!<br /></span><br /></p>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-78622907303701063702023-08-01T07:59:00.008+02:002023-08-01T08:03:57.381+02:00K(reat)I(v)?<p><span style="font-family: helvetica;"> </span></p><div class="reader-article-content reader-article-content--content-blocks" dir="ltr"><span style="font-family: helvetica;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr1be8Avx3sirhdB9gBBGP43U4olhBf0W5-T91Ru_pLnA-JFnJJmXBb4htjoTAMtiNihRuQgWj9cSekPK3BqQZqPFinegMKvVrmLj7caw_NE43hrydvjEUbNd0KKEPWgDDq_4Eg6H-s4_lNvfenhV-12d_8QZITj_6JuGOMzOZF0lq4YEq9CjPujpE3oE/s1920/KIreativitaet%20Kopie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="KI generiertes Bild einer alten Schreibmaschine vor einem Bücherregal" border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr1be8Avx3sirhdB9gBBGP43U4olhBf0W5-T91Ru_pLnA-JFnJJmXBb4htjoTAMtiNihRuQgWj9cSekPK3BqQZqPFinegMKvVrmLj7caw_NE43hrydvjEUbNd0KKEPWgDDq_4Eg6H-s4_lNvfenhV-12d_8QZITj_6JuGOMzOZF0lq4YEq9CjPujpE3oE/w640-h360/KIreativitaet%20Kopie.jpg" width="640" /></a></div><br />
<p>Wir führen einen Kampf. Schon wieder. Oder immer noch? Es sind die letzten Scharmützel noch nicht recht vorbei, jene um Raubkopien, Urheberrecht und faire Entlohnung der Kreativen bei elektronischer Verleihe et cetera pp. Wir sind noch müde, geschunden. Und doch müssen
wir uns aufs Neue formieren. Es ist wie in Mittelerde. Der Rauch über Helms Klamm ist noch nicht verzogen, da schickt uns Mordor noch größere Heerscharen an Orks, Uruk-hais und Nazgûls.</p><a name='more'></a>
</span>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Und diesmal könnte es zum Endgame kommen. Denn jetzt geht es um
die Substanz. Drehte es sich bislang im Wesentlichen „nur“ ums Geld,
„nur“ um unseren Lebensunterhalt und „nur“ um unsere wirtschaftliche
Existenz, steht diesmal unser Wesenskern in Frage. „Die generative KI
kann, was Ihr bisher vorgabt allein zu können“, verhöhnt uns Thanos und
droht, die Hälfte von uns verschwinden zu lassen. Mindestens. Wenn nicht
gleich alle.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
„Aber nein“, winken wir ab; erleichtert fast. „Diese
‚Intelligenz‘“, so selbstversichern wir uns, „kann ja nur ausspucken,
was sie zuvor aufgesaugt hat, im Netz, aus alldem, was wir und unseres
Gleichen in Jahrhunderten geschaffen haben.“ Eine Sauerei sei das
natürlich und wir wollen gefragt und dafür entlohnt werden. Aber
wirklich „kreativ“, nein, nein, das sei nur der Mensch.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
An diese Stelle möchte ich kurz innehalten. Lasst uns einen
Moment Schild und Schwert für einen Augenblick des Philosophierens
beiseitelegen und diesen Gedankenfaden aufheben und verfolgen. Die
Frage: was ist Kreativität.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Chat GPT & Co sind Sprachmodelle. Sie „kreieren“ Sätze, indem
Sie auf jedes Wort das am wahrscheinlichsten passende nächste folgen
lassen. Und welches dieses ist – diese Wahrscheinlichkeit – hat der
Algorithmus gelernt, aus all dem, was es bereits an Sätzen, Aufsätzen,
Gedichten und Romanen, Gebrauchsanweisungen, Doktorarbeiten,
Verkehrsverordnungen und Wegbeschreibungen bereits gibt. Im Internet.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Aber ist es nicht genau das, was wir Menschen auch tun, wenn wir
formulieren, wenn wir sprechen und schreiben. Suchen wir nicht das Wort,
das am besten als nächstes passt und schöpfen dabei aus dem, was wir im
Lauf unseres Lebens gelernt haben? Zuerst von den Eltern, dann von
Verwandten, den Freunden, Lehrern, dann aus Büchern, Filmen,
Zeitungsartikeln? Berechnen wir nicht, unbewusst zwar, die
Wahrscheinlichkeit, welches Wort, welcher Satz, welche Geschichte von
uns erwartet wird? Und nennen das dann „kreativ“.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
„Aber nicht doch“, winken wir abermals ab. „Im Alltag vielleicht
und all jene, die eben nicht kreativ sind, machen das so, gewiss.“ Aber
die Verse, die Shakespeare formuliert hat, die Wortkaskaden eines Thomas
Mann oder die als Blütenpracht getarnten Wortpfeile Salman Rushdies,
die sind nicht bloß wiedergegeben, die sind originär erschaffen,
Ausfluss reiner Kreativität. Genau wie meine Werke.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Ist das so?
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Die Kreiszahl Pi ist, wie wir wissen, in ihren Dezimalen
unendlich. Wenn man nun, wie wir es als Kinder taten, um eine
Geheimsprache zu benutzen, nach einem beliebigen System Ziffern zu
Buchstaben macht – beispielsweise eine erste 0 zum A, die erste 1 zum B
und so weiter, die zweite 0 zum K, die zweite 1 zum L und eine
drittfolgende 0 zum U, bevor die fünft folgende 0 wieder A bedeutet –
dann finden sich in den Ziffern von Pi schon bald Worte. Irgendwann
ganze Sätze, die Sinn ergeben. Und da Pi unendlich ist, findet sich jede
erdenkliche Kombination aus Buchstaben in dieser Kette aus Ziffern.
Mithin also jeder jemals gesprochene Satz, jedes Sonett, jedes
Mahnschreiben, jedes Hollywooddrehbuch, hat Pi schon vorweggenommen.
Auch dieser Text, obgleich ich ihn in diesem Augenblick erst formuliere,
steckt irgendwo bereits – Wort für Wort – so schon in den Tiefen von
Pi.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Ist Pi also kreativ? War Archimedes Gott, der alles je Erdachte
und alles noch zu Erdenkende in diese kleine, unscheinbare Funktion –
Umfang geteilt durch Durchmesser eines Kreises – gepackt hat?
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Oder ist das nicht vielmehr alles Zufall. Pures Chaos und besteht
nicht mithin die Kreativität darin, im richtigen Moment das Richtige aus
diesem Karpfenteich der Wortketten herauszufischen? Nicht mehr, aber
auch nicht weniger?
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Warum schreibe ich das? Will ich uns selbst das Messer in den
Rücken rammen, den Dämonen, die uns in die Bedeutungslosigkeit verbannen
wollen, neue Munition liefern? Ihren Beweis führen, dass die Maschine,
die so viel mehr über unser Publikum weiß, viel besser im Wörterteich
fischen kann?
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Nein, gewiss nicht. Woran ich rühren möchte, bei all dem Kampf, dem Stress, dem Krampf, ist ein wenig Demut.
</span></p>
<p class="reader-text-block__paragraph"><span style="font-family: helvetica;">
Denn allzu oft vermisse ich die. Sei es bei unseren Debatten um
Werkschutz und Verbreitungstantiemen, sei es bei all den anderen
Auseinandersetzungen, mit denen unsere Gesellschaften in dieser
verwundenen Zeit zu ringen haben, der Gedanke, dass jedes Wort, das ich
je geschrieben habe und noch schreiben werde, ebenso bereits irgendwo
durch diese eine mathematische Gleichung definiert ist, wie jeder
Gesetzestext, jedes Klimamanifest, jeder Friedensplan und jedes
Hassposting auf Twitter. Und dass niemand von uns weiß, warum das so
ist, der Schöpfer von Chat GPT so wenig wie der von „Krieg und Frieden“,
könnte ein Ausgangspunkt sein für Verständigung – oder zumindest ein
Ruhepunkt für eine kurze Meditation, bevor wir Schild und Schwert wieder
ergreifen.
</span></p>
</div>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-11412740805020320582022-10-01T18:10:00.002+02:002022-10-01T18:12:08.719+02:00Flug der Krähen - der Podcast<h2 style="text-align: left;"><span style="font-family: helvetica;">"Flight of Crows" - my new podcast (german only)</span></h2><div style="text-align: left;"><span style="font-family: helvetica;"><div class="separator" style="clear: both; text-align: center;"><a href="https://open.spotify.com/episode/6LOQiNZyHPrfCAbqWjjBlq?si=56f707e67ae94344" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="720" data-original-width="1280" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2EBGp7UOLNI28xs7ICW4Frk2aixr25IsgOUsa6tK0YDlC8SAVH1GMBx5aDTWg7DUiCW_vmlZU4YT71t4XkqjHW8NzVFVU8DhPyo3rQn3mcE839FcLX_17QCidu7AIhIsRCamMBe_a7-KEaw9mj2zPE0Tt85j57SeyCczzYXNkhqXw5ptRbO-zQmDz/w640-h360/promo-thumbs-s1f1.jpg" width="640" /></a></div><a name='more'></a>Hier geht's <a href="https://www.flug-der-kraehen.at/podcast" target="_blank">direkt zum Podcast</a>!<br /></span></div><div style="text-align: left;"><h3 style="text-align: left;"><span style="font-family: helvetica;"><b>Willkommen in der Zeitenwende</b></span></h3><h3><span style="font-family: helvetica;"></span></h3><span style="font-family: helvetica;">Carnuntum - zu ihrer Blütezeit war die Stadt eine wahre Metropole. Am nordöstlichen Rand des Römischen Reiches gelegen, beherbergte die Hauptstadt der Provinz Pannonia Superior damals mehr als 50.000 Soldaten, Beamte, Zivilisten, Händler und Reisende. Die glorreiche 15. Legion war hier stationiert. Es gab zwei Amphitheater, Paläste, weitläufige Marktstraßen und öffentliche Thermen, die in Sachen Komfort, Design und Bademöglichkeiten denen des 21. Jahrhunderts in nichts nachstanden. Die Lage an der Bernsteinstraße und ein gut ausgebauter Donauhafen sorgten für regen Handel. Kaiser Marc Aurel (121 - 180 n. Chr.) verbrachte das letzte Jahrzehnt seines Lebens in Carnuntum und 308 n. Chr. wurde in den Mauern der Stadt die Dreikaiser-Konferenz abgehalten, um dem erodierenden Reich neue, stabile Strukturen zu geben. Der Beginn der letzten Blütezeit in der Antike.<br /><br />468 n. Chr. - kaum drei Generationen später war das pulsierende Leben in Carnuntum nur noch eine ferne, schnell verblassende Erinnerung. Ein Erdbeben hatte große Teile der zivilen Stadt zerstört. Westgoten, Ostgoten, Hunnen, später Rugier und Markomannen, keine der Volksgruppen, die nach Westen, Richtung Rom, drängten, ließen die Mauern des einst reichen Regierungssitzes der Provinz unbehelligt. Die Gehälter der Legionstruppen blieben zunehmend aus. Die Soldaten gaben ihre Stellungen auf, viele schlossen sich den Kämpfern aus dem Osten an. Ihres Schutzes beraubt, verließen die römischen Bürger ihre Häuser und ihren Besitz und flohen in das Mutterland Italia. Jenseits der Alpen, im Schoße Roms, hofften sie, in Sicherheit zu sein.<br />Zurück blieb eine riesige, weitgehend verlassene Stadt, die dem Verfall preisgegeben war. Die weitläufigen Anlagen, Theater, Verwaltungsgebäude und Kasernen wurden von den wenigen Zurückgebliebenen als Steinbrüche genutzt, um die wenigen Gehöfte in Stand zu halten, die sich über das Land bis ins Alpenvorland verteilten. Die Provinz verwahrloste. In der gesetzlosen Gegend nahmen sich vagabundierende Kriegsherren von der Landbevölkerung, was sie zum Leben brauchten. Aus den Steppenlandschaften der pannonischen Ebene wurde ein Imperium Desertes, ein verlassenes Reich. Und Carnuntum wurde die Hauptstadt der Krähen. Im Westen, im Noricum, versuchten die Städte und Gemeinden noch, ihren Status zu erhalten, Bündnisse einzugehen und die alte Lebensweise zu bewahren. Isoliert und größtenteils auf sich allein gestellt.<br /><br /><b>Und hier beginnt unsere Geschichte.</b><br />In einer ländlichen Siedlung etwa 200 Meilen donauaufwärts von Carnuntum lebt Avetonia, eine Bauernwaise, zusammen mit ihren Tanten und bewirtschaftet ein paar karge Felder. Als die Fünfzehnjährige auf dem Wochenmarkt Zeuge des außergewöhnlichen Auftritts einer Geschichtenerzählerin wird, ist sie fasziniert und verwirrt zugleich. Die Fremde, die sich Cornicula - "kleine Krähe" - nennt, scheint all ihre Träume von einem freien und besseren Leben zu vereinen und als sich die Wege der beiden kurz darauf wieder kreuzen, ist das abergläubische Mädchen überzeugt, dass dies kein Zufall ist. Sie folgt der listigen Gauklerin, die sich im Auftrag von Severin, einem undurchsichtigen Kirchenmann mit großem Einfluss in der Region, auf eine Reise gen Osten begibt.<br /><br /></span></div><div style="text-align: left;"><span style="font-family: helvetica;"> </span></div>
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<p class="MsoNormal"><span style="font-family: arial;">Daniel Craig verlässt das Bond-Franchise also im maximalen
Kinodonner. James Bond stirbt im Raketenhagel, den er selbst ausgelöst hat.
Mehr Metapher geht kaum. Wie folgerichtig dieses Ende einer Popikone ist,
erschließt sich einem jedoch erst, wenn man den Craig’schen Geheimagenten im
Gesamtbild und gesellschaftspolitisch analysiert. Denn obwohl die 007-Filme
natürlich in erster Linie Popcornkino der obersten Meisterklasse waren, sind
sie doch auch immer ein Spiegel ihrer Zeit. Ähnlich dem Ikeakatalog, der – es
mag Zufall sein – im gleichen Jahr sein gedrucktes Ende findet, wie der fiktive
Meisterspion im Dienste ihrer Majestät.</span></p>
<p class="MsoNormal"><b style="font-family: arial;">Zum Anachronismus geworden</b></p>
<p class="MsoNormal"><span style="font-family: arial;">Dass der James Bond, den Produzentin Barbara Broccoli
gemeinsam mit einer Reihe der renommiertesten Skriptschreiber und Produzenten
und nicht zuletzt auch mit Hauptdarsteller Daniel Craig in fünf Installationen
auf die Leinwände der Welt gebracht und entwickelt haben,
gesellschaftspolitisch zu einem Anachronismus geworden ist, mag Analyse viele
zunächst überraschen, manche vielleicht sogar empören. Nicht zuletzt
wahrscheinlich auch die Schöpferin und die Schöpfer selbst. Ist man doch in
Sachen Diversität geradezu mustergültig unterwegs. Hat man sich doch größte
Mühe gegeben, aus dem einst Frauen verschlingenden Supermacho einen sensiblen
Liebhaber und schlussletztlich sogar Familienvater werden zu lassen. Gut
möglich, dass sich Broccoli und Gefolgschaft gar nicht bewusst sind, wie
konsequent es war, diesen James Bond so sterben zu lassen. Womöglich haben sie
es instinktiv getan. </span></p>
<p class="MsoNormal"><b style="font-family: arial;">Neoliberalismus in Reinform</b></p>
<p class="MsoNormal"><span style="font-family: arial;">„Warum macht der Mann das?“, das hat man sich vielleicht
schon immer, bei den fünf letzten 007-Filmen im Publikum aber sicher öfter als
je zuvor gefragt. Denn Daniel Craig hat in der Rolle weit mehr eingesteckt und
über sich ergehen lassen als alle Bonds vor ihm. Die Antwort auf die Frage nach
der Motivation für all die Tortouren, die Craig und das Autoren- und
Produzententeam war jedoch eine gänzlich andere, als bei den Vorgängern und als
Ian Flemming sie gegeben hat. Die Motivation für diesen, nunmehr verstorbenen
James Bond waren durch und durch persönlich.</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;">Erst die Liebe zu Vesper Lynd,
dann drei Filme lang die Vendetta, deren Tod zu rächen plus die Verwicklung des
eigenen Stiefbruders und schließlich eine neue Liebe und sogar noch ein Kind.
Alles reine individuelle Motive. Man darf nicht vergessen: der Craig’sche Bond
war ein Geschöpf der Nuller-Jahre. Casino Royale kam zwei Jahre vor der
Lehman-Brothers-Pleite in die Kinos und ist konzeptionell durch und durch von
neoliberalem Geist der Nuller- und Zehnerjahre geprägt. </span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;">Dieser ließ es offenkundig schlicht
im Wortsinn undenkbar zu machen, dass jemand Außergewöhnliches vollbringt,
sogar sein Leben riskiert, aus anderen als persönlichen, privaten, ergo
egozentrischen Gründen. </span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;"><b>Nebenbei die Welt retten</b> <br /></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;">Das Mantra, dass jede und jeder - möglichst
ungestört von Regeln - für sich persönlich das Optimum herausholt, und dass das
dann dazu führt, dass gewissermaßen als „Nebenprodukt“ eine bessere Welt für
aller daraus wird - oder im Fall von James Bond, die Welt mal eben nebenbei auch
noch gerettet wird - ist exakt das neoliberale Glaubensbekenntnis, an das zum
Beispiel ein Christian Lindner noch immer glaubt.</span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;">Aber diese Weltsicht liegt
inzwischen selbst im Sterben. Sie hat sich in vielerlei Hinsicht als
Fehleinschätzung erwiesen, mit z.T. fatalen Folgen. Von der besagten Finanz-
über die Eurokrise, die Dritte-Weltähnlichen Zustände in weiten Teilen den USA,
dem vermeintlichen Land der unbegrenzten Möglichkeiten und Freiheit bis hin zur
Corona-Pandemie, in der die Welt leidvoll erleben musste, dass der
gut-ist-was-für-mich-gut-ist Ansatz nirgendwo hinführt. Mit Blick auf die
größte Krise der Menschheit, die Klimakatastrophe, hat sich nun spätestens mit
Fridays 4 Future ist eine ganze (Teil)-Generation mobilisiert, die wieder ein
gemeinsames Ziel verfolgen, dass nicht in erster Linie deckungsgleich mit dem
persönlichen Vorteil ist. Und das ist nur der Anfang. </span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial;">Insofern also ist es absolut
folgerichtig, diesen - trotz aller lobenswerter Diversitätsbemühungen - von der
Zeit überholten Bond sterben zu lassen. Aber man hätte ihm natürlich genauso gut
die Chance geben können, sich zu ändern. Man hätte zeigen können, wie aus dem
verbrämten, verzweifelten Bond, der nur von persönlicher Motivation getrieben
wird, durch Erkenntnis einer wird, der das Leben liebt. Der Motivation im
Dienst für die Gemeinschaft findet, kurzum, man hätte ihm die Chance geben
können, ein Held zu werden. </span></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><b style="font-family: arial;">Reboot</b></p>
<p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: arial; font-size: 11pt; line-height: 107%;">Der Craig’sche Ansatz war
von Anfang an ein Fehler. Für das Franchise gibt es immerhin noch das Reboot.
Schade, dass es das für die echte Welt nicht gibt</span><span style="font-family: arial;">.</span></p><p><br /></p><!--more-->Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-10031532700854624652021-01-21T23:43:00.001+01:002021-01-21T23:44:24.918+01:00There is always light<p><span style="font-family: helvetica;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVSt66oCj8tTTEq5ri6-_FatWQ7h_8mSNni5j6fIlAJk2Ig3Ui5m3HdF1gCtg3cuCQCyyJ9HwrIku9RokVLhjnuGndwXshbPU5W-iqaMucSoMY-nCMG8U0912FFDQb_-xiGhSFjagDdAQ/s1200/forthereislight.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="1200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVSt66oCj8tTTEq5ri6-_FatWQ7h_8mSNni5j6fIlAJk2Ig3Ui5m3HdF1gCtg3cuCQCyyJ9HwrIku9RokVLhjnuGndwXshbPU5W-iqaMucSoMY-nCMG8U0912FFDQb_-xiGhSFjagDdAQ/s320/forthereislight.jpg" width="320" /></a></span></div><span style="font-family: helvetica;">Yesterday, January 20, 2021 at 12:30 pm Eastern Time the 21st century began. It began in Washington DC and it began with poet Amanda Gorman and her poem "The Hill We Climb".</span><p></p><p><span style="font-family: helvetica;"><span></span></span></p><a name='more'></a><span style="font-family: helvetica;">Of course, the fireworks with which we party-drunkenly greeted this century actually was already ignited 20 years ago. Since then, the first Internet bubble has burst, the second wave has proved to be an insidious catalyst mainly for human wickedness, a financial system has imploded, dragging countless people into misery and resurrecting as if nothing had happened. Several cascades and generations of terrorists of various ideologies have descended upon the globe, at one end of Europe armed conquests have again become possible, only that they are not called that, while at the other end the greatest peace project of all times almost broke down due to its inability to show solidarity, and finally a deadly pandemic has spread across humanity, which basically everyone knew was coming, but for which ultimately no one was quite prepared.<p></p><p><span style="font-family: helvetica;">So you can't really say there was nothing going on in those first 20 years of the 3rd millennium, can you? And yet, looking back - let's say from the year 2121 - one will recognize the inauguration of the 46th president of the United States and especially that poetry lecture as a milestone, where for the first time the world of the 21st century manifested itself for all the world to see. </span></p><p><span style="font-family: helvetica;">A world in which a woman of African-American and Asian-American descent becomes Vice President of the United States, arriving with her husband and their patchwork family for the inauguration, where she was administered the oath of office by the first Hispanic woman justice on the Supreme Court.</span></p><p><span style="font-family: helvetica;">A world in which a black pastor, with a fiery timbre in his voice, offers the concluding prayer for this ceremony, which is attended, among others, by the future Secretary of Transportation of the country, naturally together with his husband.<br />A world in which three former presidents - one black, two white, one Republican, two Democrats - philosophize together about the peaceful transfer of power and wish the new president well and pledge their support.</span></p><p><span style="font-family: helvetica;">A world in which the new First Lady holds a doctorate and will continue to teach while her husband rules the country, and in which an Italian-born pop singer, the most successful country star of all time, and a Latina diva performed at the presidential inauguration, the latter shouting to the audience in Spanish "One nation under God, indivisible, with liberty and justice for all" after singing "This Land is Your Land."</span></p><p><span style="font-family: helvetica;">And finally, a world in which the black, 22-year-old poet Amanda Gorman captures the feelings of millions of people around the world with her words and records them for eternity. In a rich yellow coat, she looks like a poem herself, while she competes with the sun in the blue sky, so emotional and at the same time so self-confident that hardly anyone doubts her intention to run for president herself in 2036, as she has stated beforehand.</span></p><p><span style="font-family: helvetica;">In that distant year 2121, it will be known whether this candidacy will be crowned with success and it will be remembered as one candidacy among many. Because in the year 2121 one will not pay much attention to the sex, the complexion, the origin or the religion of a candidate. No matter whether it is a candidacy for the most powerful state office or for a judgeship, an application for a leadership position or for the chairmanship of an honorary committee.<br /><br />What seems to be strikingly new in 2021 will for sure be considered the norm in a hundred years from now, maybe even sooner.</span></p><p><span style="font-family: helvetica;">But one will also remember in the year 2121 that this was not always the case. One will remember what a milestone this lecture of Amanda Gorman was, what pain and how much unrest preceded it and would still follow for quite a long time. </span></p><p><span style="font-family: helvetica;">Who knows, perhaps in 2121 her moving words will be chosen as the anthem of the United Nations. It would be an appropriate choice. In any case, they will be and should be remembered:<br /></span></p><p><span style="font-family: helvetica;"></span></p><blockquote>„For there is always light. If only we’re brave enough to see it. If only we’re brave enough to be it.“ </blockquote><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/2mTmTdOgv0M?controls=0" width="560"></iframe></span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-3915459834845250882020-09-08T15:13:00.002+02:002020-09-08T15:18:44.843+02:00Cultural… appropriation vs appreciation <p><span style="font-family: helvetica;"><a href="https://www.instagram.com/p/CEh6gF5AwXh/?utm_source=ig_embed" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="769" data-original-width="652" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7-PfM-AXOVlQCVwz5Cit9JrWriouCgCaQVHTzELAdmXnWLTdHrwuA-z8aZg3tm1uNYcCggjbXgUtsa3v7OKcF2g283k1IgtHQX-AzFkD5HJYM1yClstv2fc7w1lFs07BbN5oU6vDMKWY/s320/2020-09-08_15h16_00.png" /></a></span><span style="font-family: helvetica;">A couple of days ago, singer Adele experienced kind of <a href="https://www.google.com/search?client=firefox-b-e&sxsrf=ALeKk01M2IL55diou_AhKUmyGiKrgw6tag%3A1599569509078&ei=ZX5XX6SrBJuV8gK0sqNw&q=adele+bantu+knots+&oq=adele+bantu+knots+&gs_lcp=CgZwc3ktYWIQAzIGCCMQJxATMgUIABDLATIFCAAQywFQ-GRY-GRgxmpoAHAAeACAAW2IAc0BkgEDMS4xmAEAoAEBqgEHZ3dzLXdpesABAQ&sclient=psy-ab&ved=0ahUKEwjk8YbjzNnrAhWbilwKHTTZCA4Q4dUDCAw&uact=5" target="_blank">a mini-shit storm</a> when she posted a picture of herself on Instagram at the Notting Hill Carnival in London. On it, the British singer wears a bikini top printed with a Jamaican flag, among other things. She has knotted her hair into Bantu Knots, a hairstyle that has its origins in the Black community. The accusation to which she then found herself exposed: cultural appropriation. <br /><br />As a white British woman, it was not her place to braid her hair into Bantu Knots, since she was not Black and this type of hairstyle was part of the culture of the Black community. And as a carnival gag this was even worse, period.</span></p><h3 style="text-align: left;"><span style="font-family: helvetica;"><span><a name='more'></a></span>Be what you are and leave other cultures alone. </span></h3><h3><span style="font-family: helvetica;"></span></h3><span style="font-family: helvetica;">That's the whole point, right? If it were that simple, it would be damn bad news for all of us. As well as for our ancestors and for the development of human culture in general. <br /><br />Gone the days when we in Central and Northern Europe would sip a cappuccino or eat pizza. Both always been central elements of the Italian way of life. All jeans will have to leave the European and Asian closets, since these - originally miner's pants - are a brand essence of US-American clothing customs. And if there's one thing you can't do at a party in New York, London or Sao Paolo, it's karaoke, of course, an Asian pop cultural asset reserved for celebrants in Tokyo and Seoul exclusively. <br /><br /><b>Awful, how all of us are constantly committing cultural robbery. </b><br /><br />But our ancestors were not any better. Shame on the Prussian grandmother and her canapé, which she had culturally tried to wrest from the French - in fact, the Prussians' dearest enemy. Disgrace at the Goths and Alemanni, who simply snatched Oriental Christianity for themselves. In their defense, one could argue that it was not always entirely voluntary. But at the end of the day that is true for at least half of all karaoke singers as well. <br /><br />And, of course, one must not forget language. More than half of our supposedly German vocabulary was acquired by our Germanic ancestors from the Romans, who in turn shamelessly plundered the Hellenistic cultural heritage centuries before, and so on. <br /></span><h3 style="text-align: left;"><span style="font-family: helvetica;">So everything completely normal? </span></h3><h2><span style="font-family: helvetica;"></span></h2><p><span style="font-family: helvetica;"><b>Not at all. Because, as so often: it is complicated. Once again. </b><br /><br />For it makes quite a difference whether a visual artist like Paul Gaugin is inspired by the expressions of indigenous artisans in the South Pacific, or whether a commercial football team is calling themselves "Washington Redskins" and misusing the Native American population as a clichéd logo for marketing purposes, thereby not only instrumentalizing stereotypes - in this case those of the noble and aggressive savage - but also further solidifying and trivializing them. <br /><br />Got it. Commerce is bad, sure, we thought so anyway. F*** capitalism! Then it's not so complicated after all. Is it? <br /><br />So what about Eminem, for example? The man has made more than a fortune with rap music, an undoubtedly Black music style. It couldn't be more commercial. Or is that inspiration a'la Gaugin again? After all, the French painter died in utter poverty. You can't exactly accuse him of commercialism. </span><span style="font-family: helvetica;"><span style="font-family: helvetica;"></span></span></p><h3 style="text-align: left;"><span style="font-family: helvetica;"><span style="font-family: helvetica;">"Appreciation" instead of "Appropriation"?</span></span></h3><p><span style="font-family: helvetica;">Which brings us back to Adele and her latest costume. The 15-fold Grammy winner can hardly be accused of using Bantu Knots to make (even more) profit from the culture of the Black community. So one can probably take it from her that it is more a matter of an acknowledging bow to culture. "Appreciation" instead of "Appropriation"? On the other hand, she has sold her 100 million records as a soul, jazz and R&B singer. Ain't that appropriation out of material greed after all? <br /><br />You may have heard of <a href="https://racheldolezal.com/" target="_blank">Rachel Dolezal</a>. The U.S. activist and instructor who is committed to cultural balance and who has led colleagues and friends to believe that she is a light-skinned black woman for most of her professional life, gave a simple and effective tip in her fascinating biography "In full Color" on how to avoid "cultural appropriation". One should, she writes, simply ask the respective cultural community from which one wants to borrow for permission. <br /><br />Now it's pretty unlikely that Adele or Elvis Presley, Bill Haley or Amy Winehouse will have asked for permission from any African-American organization to use the blues and originally Black jazz as the basis for their world-successful musical styles. That's because, of course, such an institution does not exist, in the first place. <br /><br />But one can safely assume that many of the early bands that gave birth to the first white Rock'n'Roll, R&B, later hip hop and rap stars etc. had numerous Black and Colored musicians on board who inspired their white colleagues, even taught and showed them a lot. And at the latest when Dewey Philipps on WHBQ Radio - a station that played Black music in the segregated Memphis of the 50s for a Black and white mixed community - gave Rock'n'Roll a kick-start, one can probably speak of the "accolade" with which the black community acknowledged this new, cultural mélange. <br /><br />In Rachel Dolezal's book, it's a Black friend who helps her braid her long, straight hair ultimately making her look a lot like a Women of Color. By doing this, the girlfriend also gave her OK. <br /><br />Who says that Adele doesn't have a friend like that who helped her with her "costume"? <br /><br />As mentioned, it is complicated. There are no instructions for use, no clear set of rules. Just a few guidelines, at best. You need, as always when it comes to relationships between people: tact and sensitivity. And that‘s certainly true when criticizing. <br /><br /></span></p>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-39962576625340551522020-08-04T18:53:00.001+02:002020-08-04T18:53:52.057+02:00And it's happening again<span style="font-family: helvetica;"> Do you remember? 2008? The incantations? "Never again," they said, over and over. "Never again shall and never again will losses be socialized and profits privatized." That should have been the great lesson learned from the financial crisis. The grand promise.... <span><a name='more'></a></span><b>And yet now it is happening again. </b><br /><br />Sure, at that time the banks were the topic, the systemically important banks. And today? Today the taxpayers of almost all countries are trying to keep almost all businesses, almost all industries alive with unprecedented trillions, keeping them artificially ventilated, just as the respirators are doing in the intensive care units for Covid-19 patients. <br /><br />But it is not all companies in all sectors that are in danger of going under without the trillions of taxes borrowed decades in advance. As in every crisis, there are winners too. And that's exactly what should not be.<br /><br /><b>Breaking records as far as ones eye can see. </b><br /><br />Amazon, Zoom, Netflix, Zalando - almost all companies and industries whose business models are primarily based on the Internet have benefited to an unimaginable extent from the initial restrictions and the lockdown of large parts of public life. <br /><br /></span><div><span style="font-family: helvetica;">In the second quarter of this year, Amazon's profits doubled to an unprecedented $5.2 billion compared to the same quarter last year. Profit, as I said. The tills also rang like never before during the second quarter for the German Amazon clone Zalando. Here, pre-tax profits rose by "only" 27%, but also reached a peak of a good 2 billion dollars. Almost as much as in the whole of the first half of last year together. <br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZcokK1rcZOW5AKKscoS_32veEfIH702981CQjs-3aph2LIBOQcA1o1zlnvGyPFmZEP2J-phcUASSD0VrX3oDwxK-Sx9m8h8NUdQ7kmj7dFwqi6-TkDkHLCqg7xOnZqqN76PXldlozBc/s1190/amazon-corona.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="691" data-original-width="1190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZcokK1rcZOW5AKKscoS_32veEfIH702981CQjs-3aph2LIBOQcA1o1zlnvGyPFmZEP2J-phcUASSD0VrX3oDwxK-Sx9m8h8NUdQ7kmj7dFwqi6-TkDkHLCqg7xOnZqqN76PXldlozBc/s640/amazon-corona.jpg" width="640" /><br /></a></div><div class="separator" style="clear: both; text-align: center;"><p><font size="2"><span style="font-family: helvetica;">Amazon's gains/losses from Q1 2009 to Q2 2020 in millions of $USD. Source: Statista</span></font></p></div><span style="font-family: helvetica;"><!--[if gte mso 9]><xml>
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</xml><![endif]-->Not only online retailers, but also the game industry, and especially the streaming sector, were doing well. Netflix increased its turnover in the second quarter by a good quarter compared to the previous year and also reached a record value of 6.2 billion in the comparatively young history of the company. <br /><br /><b>We are grateful! <br /></b><br />To avoid any misunderstandings. We are very grateful to the online retailers and entertainment suppliers. Amazon provided us with books and household utensils while the shops were closed. Netflix cheered us up while the news program was rather depressing. For that, those companies who were far-sighted enough to invest in digital technology and provide capacity quickly and flexibly deserve gratitude and recognition. <br /><br />Let's go to the balconies and give a big round of applause, as it has become common during corona times for systemically relevant pillars of society. And then let's sit down and see that this time not only the working taxpayers are called upon to save the economy, but also that those who have made very good money from the crisis contribute their fair share. <br /><br /><b>95% special tax on corona profits. <br /></b></span></div><div><span style="font-family: helvetica;"><br /></span></div><div><span style="font-family: helvetica;">That would be the proposal. Companies should be allowed to keep 5% of the increase in profits in recognition of their contribution to the work during the crisis. 5% more profit, that is quite respectable in normal times anyway. But of every dollar and every euro that companies - in whatever sector - earned more in the first half of 2020 than in the first half of last year, 95% should be handed over and used to co-finance the economic rescue.</span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTGoheqSvLIfyvq_EdJYOqTzgnNyteyCqhwSzNO878C7FewA76xwS-Ysv-gvwZyeyyauNgSZhYWyQ6EDGSfnJsWn0yU_YBykebTwT1YN4sf-Y_WGKwDOaXtzz_gNS5Zno9dCXPf4u2rnE/s1184/online-corona.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="612" data-original-width="1184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTGoheqSvLIfyvq_EdJYOqTzgnNyteyCqhwSzNO878C7FewA76xwS-Ysv-gvwZyeyyauNgSZhYWyQ6EDGSfnJsWn0yU_YBykebTwT1YN4sf-Y_WGKwDOaXtzz_gNS5Zno9dCXPf4u2rnE/s640/online-corona.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><font size="2"><span style="font-family: helvetica;">Monthly turnover development in mail order and internet retail in Germany from January 2018 to June 2020 compared to the same month of the previous year. Source: Federal Statistical Office, Statista</span></font><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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</xml><![endif]--><!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
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mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin-top:0cm;
mso-para-margin-right:0cm;
mso-para-margin-bottom:8.0pt;
mso-para-margin-left:0cm;
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<![endif]--><span style="font-family: helvetica;">Sure, that alone will not close the gap that Corona is tearing in the budgets of countries and states, but it would be a contribution, it would have symbolic value. It would simply be just and fair.</span></div>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-62634166448012365972020-06-04T22:13:00.000+02:002020-06-04T23:21:08.052+02:00Those in the second car<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"> <i>Race riots, the USA at the top of the Corona victim lists, military operations against its own civilian population and with every mad tweet we stare at Donald Trump again and again. But do we actually have our eyes on the right person? Sure, the president has the responsibility. But is he really responsible when the USA staggers into chaos and towards autocracy? Some pressing questions...</i></span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"> I had barely turned 18 and only recently got my driving license when I was on my way to a concert with my first car and two friends on board. The father of the two was also with us, as they were not yet of legal age. But of course, I was driving - proudly. Eventually we got endlessly stuck on a country road behind a tractor. Constantly cars were coming towards us and if not, the road would make a bend. As a beginner I stayed well-behaved behind the chugging vehicle. But finally, the father of my friends, looking back at the queue that had formed behind us, said to me: "You're holding up all the traffic!"</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><br />Injured in my honor as a young man I objected vehemently pointing to the scrap in front of us, which alone was to blame for the traffic jam. But the senior only grinned: " No, no. He cannot do differently, but you can. The second one in row is always to blame for a traffic jam, because only the second one could overtake. The second in line is always responsible." <br /><br />This plausible explanation has remained in my memory until today. Not only, as it was so true, not only when driving a car, but because it is so often so true in other cases as well. </span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Take Donald Trump. </span></h3>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">The number one of the United States. Started by the motto "America first!", he has actually brought his country to the top of the Corona death hit lists, a la long he has pretty much canceled or simply broken every sensible treaty that the US had initiated and concluded over the past 7 decades and right now the country is sinking in racial riots with it’s leader not even trying to calm and bringing the people back together but rather calling for the military almost like in a failed state at the edge of a civil-war. <br /><br />A good part of the world is looking anxiously at November 3, 2020 wondering whether the globe can even survive another four years of Trump, and the hopes of all those so concerned now rest on a 77-year-old ex-vice-president with memory problems. </span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Are the spotlights shed on the right one?</span></h3>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">But are our eyes even focused on the right person when we, like the rabbit in front of the snake, watch, as if hypnotized, every clumsy gesture of the ever golfing Trump, analyse and tear up every one of his countless tweets again and again and, in short, chafe ourselves on this one guy in rage until we bleed? <br /><br />And here we get back to that 'second in line’! The several 'second ones', to be exact, because there are quite a few of them. The ones behind Donald Trump. <br /><br />Donald Trump might be a jerk. But he's loud. He's like a clown at the fair that attracts attention. And we do just that. We stare at the freak while those behind him can do whatever they want in his shadow. <br /><br />But what do those want? What exactly are they doing? And why? Or why don't they do anything? </span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">What happened to the rebelling ten?</span></h3>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">At this point we cannot help but reproach the media - not Fox News, but especially the critical ones. Because they all fall for the trick with the scarecrow on stage. Not only in the USA. Everywhere. In France, in Sweden, in Germany. One Nazi quote of any official of the so called “Alternative for Germany” (AfD) and the headlines are granted. One rabble-rousing tweet from @realDonaldTrump and papers are full of it, while no one cares what the Koch brothers, for example, are currently doing. Or the ten incumbent senators and twelve incumbent congressmen and women who wanted to do everything possible to prevent Donald Trump from running for president as the Republican candidate as late as summer 2016 and who - with the only exception of Mitt Romney - have since then been standing like a rock behind "their" president for three years now. A president whom they originally never wanted to have. <br /><br />They would be the ones in the car behind the tractor who could overtake him. They're the ones causing the jam. They are the ones responsible. In fact, that’s exactly their job description. Being responsible. So let's stay with the senators for a moment. <br /><br />With only one dissenting vote - Mitt Romney - from within their own ranks, 52 Republican senators outvoted the 45 Democratic and the two independent ones in the impeachment proceedings, not only ending it with an "acquittal" for Donald Trump, but depriving it of all credibility by refusing to hear witnesses and receive updated documentation. Ten of these 52 had, as mentioned above, tried to prevent Donald Trump in 2016 as the GOP’s candidate. Be it by secret agreements or with the help of all possible legal tricks. What makes these dignitaries turn in the wind in such a way that they even miss the chance of at least slightly restraining the president by a narrow vote? <br /><br />What prompts a Lindsey Graham, who holds a doctorate in law and is a highly decorated colonel of the reserve in the US Air Force, to reduce himself to pure voting stock after he not only openly criticized Trump and the Tea Party movement in the Republican Party before 2016, but was also used to cooperate constructively with the Democratic Party in many political fields? Leaving aside the politics of the day, wouldn't that be an extremely exciting story. <br /><br />How does someone like Graham actually feel? <br /><br />What is going on in Senator Susan Collins, the senior Republican women in the Senate, who has been in office for 23 years and is known for her commitment to the LGBTQ community. Among other things, she was one of only six Republicans to vote against the Federal Marriage Amendment in 2004. The constitutional amendment that would have banned same-sex marriages in the US by constitution forever. She too voted for an end to the impeachment in the Senate without hearing any witnesses. There was also nothing to be heard from her, for example in the matter of Stormy Daniels. But she too was conspiring within the Republican Party against Donald Trump in 2016. <br /><br />What has happened since then? <br /><br />The list could be extended (<a href="https://en.wikipedia.org/wiki/List_of_Republicans_who_opposed_the_2016_Donald_Trump_presidential_campaign">here is the list of all Republican anti-trump conspirators from 2016</a>) and it is of course not limited to senators and congressmen and women. <br /> </span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">What does a Kayleigh McEnany, Harvard lawyer and successful CNN journalist hope to gain from her job as Trump's spokeswoman, who at just 32 years of age is so young that the TV recordings in which she desperately tries to make the absurdities her boss spreads every day look like real politics will accompany her for many decades to come, when Trump has long since passed away? <br /><br /><b>They don't just stand by and watch </b><br /><br />In a <a href="https://www.zeit.de/politik/ausland/2020-06/donald-trump-republikaner-machtdemonstration-usa" target="_blank">comment for the German “ZEIT”</a> magazine editor Carsten Luther wrote Republican senators would still “run after him. They have no choice.” Of course they would have a choice! None of them, I suppose, would go hungry if losing the seat and none of the, I sincerely hope, is threatened with death when opposing a president out of control. They do have a choice and hence they are responsible. <br /><br />And that would be already my mores of that story and my appeal to all those who have journalistic resources: stop wasting them reviewing the tweets of a fairground attraction as if they were undiscovered works of Shakespeare. Now, bring to the curtain those who think they can duck away. The hangers-on since they are not just that. Shine the full spotlight of the public on those who act in the shadow of that big inflatable figure. <br /><br />We can all clench our hands above our heads no matter how many times the president of a superpower recommends his citizens to drink bleach, we can complain no matter how loudly he declares all dictators of the world to be his best friends, the water carriers will always keep on carrying him. <br /><br />Let’s stop focusing just on the radiator mascot. Let us remind those who are responsible of their responsibilities. And that’s not just a job for media and journalists. All of us can do that. Write a letter, an e-mail to your representative. Confront them on social media. And not just in the US! Almost all countries in what we used to call “the western world” are currently having their “Trumps", <a href="https://youtu.be/v4amCfVbA_c" target="_blank">people not interested in a functioning society at all</a>. And they will succeed, if those in the second row do not act. So let’s make them to act now. <br /><br />Just as the father of my friends did back then, let us say loud and clear to those in the second car who think that the blond in the tractor seat is to blame for the traffic jam: "No, you are responsible!" </span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-48699365220966332362020-06-03T20:57:00.000+02:002020-06-03T20:57:37.337+02:00We're not Katniss!<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">When I was watching the final part of 'Hunger Games' a couple of years ago, I was thinking by myself, well, it will be just like that one day. Just that we - the White, the European, the self-acclaimed 'first world' - are not Katniss. We're not District 12. We are all President Snow. We are all the Capitol. And we will lose everything. And when we lose, we lose rightfully. Sadly it seems that I was right.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUk-_7awFktLhCQzA9nWMgJwcIckGpbAjla53O0s2g9nEtNEmUPLl7toEWAbEXQXpepBN46oRuii3R_8tXeGLQ9NvQUzQq2wq8BU7etDtMm_IzbfOeTrwe8VlgoYzkBTi54QgqipmjDcM/s1600/we+are+not+katniss.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="742" data-original-width="602" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUk-_7awFktLhCQzA9nWMgJwcIckGpbAjla53O0s2g9nEtNEmUPLl7toEWAbEXQXpepBN46oRuii3R_8tXeGLQ9NvQUzQq2wq8BU7etDtMm_IzbfOeTrwe8VlgoYzkBTi54QgqipmjDcM/s640/we+are+not+katniss.jpg" width="518" /></a></div>
<br />Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-47261810545042760952020-04-19T19:07:00.000+02:002020-04-19T19:07:45.970+02:00A short history of corona, protective masks and ventilators<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">When the Corona crisis is over, everyone will come back out of their holes. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpC6m8hA4LLGcmt9dWLAvnZkrgA20KVHJNcUJOAI2LBmZshiRfqPkIHjZF3_R23q9QGrJBpJRLaEzeSRm1Z95iNg5ImSBAqKAc868E-I-1-XpZvWpZw7MuBcCIIoqY_s2WoVgbSlzyTA8/s1600/MadeInKleinwetzdorf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="502" data-original-width="1280" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpC6m8hA4LLGcmt9dWLAvnZkrgA20KVHJNcUJOAI2LBmZshiRfqPkIHjZF3_R23q9QGrJBpJRLaEzeSRm1Z95iNg5ImSBAqKAc868E-I-1-XpZvWpZw7MuBcCIIoqY_s2WoVgbSlzyTA8/s640/MadeInKleinwetzdorf.jpg" width="640" /></a></div>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Concerned citizens, those in government and even those not in government shake their heads and agree on one thing: "It was very bad that during the crisis we were so dependent on foreign countries for systemically important goods such as protective masks and respirators. This must not happen again, we must become self-sufficient."</span><br />
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<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">So all countries are starting to build up capacity. In Austria, for example, a great plant for protective masks is being built right near Klagenfurt and is also creating jobs in Carinthia. And Magna in Graz is shifting part of its production to ventilators and will soon be producing the most powerful ones in Europe, they say.</span><br />
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<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">A few years pass and then the next pandemic occurs.</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The new, young Governor of Carinthia steps up to the press and explains: "Everything is fine, dear Austrians. Just a little patience, please, as soon as all hospitals, kindergartens and supermarkets in Carinthia have been supplied with the Carinthian protective masks, the supply of the other provinces can begin".</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">At the same time the Styrian governor explains: "Everything is good. As soon as the Styrian hospitals, retirement homes and the provincial parliament have been supplied with the Styrian ventilators, we will of course send the rest to the other provinces immediately".</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The crisis passes and everyone comes back out of their holes.</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Concerned citizens, those in government and even those not in government shake their heads and agree on one thing: "It was very bad that the federal states were so dependent on each other during the crisis. This must not happen again, we must all become self-sufficient."</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">So the Austrian federal states are beginning to build up capacities. In Lower Austria, for example, a great plant for protective masks is being built right near St. Pölten and is also creating jobs. And in Hainburg on the Danube, the last remains of the Austria Tobacco Plants are being used to set up a factory for respirators. A beautiful move in history, as the local press enthuses.</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">A few years pass and then the next pandemic occurs.</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The aged mayor of St. Pölten steps up to the press and explains: "Everything is fine, dear Wald- and Weinviertler. Just a little patience, please, as soon as the University Hospital of St. Pölten, our emergency centre and the old people's homes in the district have been supplied with the St. Pölten quality protective masks, the supply of the other communities can begin".</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">At the same time, the new, district governor from the Green party of Bruck an der Leitha explains: "Everything is good. As soon as the Hainburg hospital, the district kindergartens and the Bruck tax office are supplied with ventilators, we will of course send the rest to the other districts immediately".</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The crisis passes and everyone comes back out of their holes.</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Concerned citizens, those in government and even those not in government shake their heads and …</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">… the morality of the story?</span><br />
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">There may never be a vaccine against the worst of all viruses: stupidity.</span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-73966554067667434102020-04-18T21:52:00.001+02:002020-04-18T21:52:14.586+02:00We made it...The GLAUSER-AWARD went online!<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">We are quite proud! Although we had to cancel the annual <a href="http://www.die-criminale.de/" target="_blank">CRIMINALE</a> - the biggest German-language crime festival - and the big <a href="https://www.das-syndikat.com/magazin/aktuelle-meldungen/4121-bester-kriminalroman-juergen-heimbach-fuer-die-rote-hand-mit-dem-glauser-2020-ausgezeichnet.html" target="_blank">GLAUSER-AWARD</a> gala due to the Corona crisis, my colleagues of the <a href="https://www.das-syndikat.com/" target="_blank">SYNDIKAT</a> and I managed to produce a 90-minute show in just two weeks and in a decentralized way that is really woth seeing. </span><br />
<a name='more'></a><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">We are pleased that we were able to offer the winners of the GLAUSER award a worthy setting. And next year the whole thing will be real and live again. </span><br />
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<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/d7EXHO8apQ0/0.jpg" src="https://www.youtube.com/embed/d7EXHO8apQ0?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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<br />Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-24923215741682301292020-04-13T21:14:00.001+02:002020-04-13T21:14:50.734+02:00Carinsson liest: "Warum nur...?" (German)Lesung im Turm aus der CRIMINALE Anthologie 2019 "Mord im Dreiländereck"<br />
<a name='more'></a>Gleichsam zum Aufwärmen für die Online-Premiere-Lesungen aus der 2020er CRIMINALE Anthologie "Tod unterm Schwanz", hier eine Aufzeichnung meiner Kurzgeschichte, mit der ich in der letztjährigen CRIMINALE-Anthologier vertreten war, als YouTube Premiere am 13. April ab 21:30 Uhr. Gute Unterhaltung.<br />
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/uV-BrsBbGZM" width="560"></iframe>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-54394996639430733112020-03-24T08:12:00.001+01:002020-03-24T08:38:36.264+01:00Canceled<div style="text-align: left;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgcaJjbxg2ERI4pI3Q4T6RLe0V6gLIpYEXOwQ1UeU_aQZj6jyngPuxfLdqT_PwKceHKnDRtJnCINzsO3kT5rtKulqNmebdCvyu88T7iHOgK3qNDIANz_MKI4R4-t5NGHgLvIrwVopfEgI/s1600/abgesagt.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgcaJjbxg2ERI4pI3Q4T6RLe0V6gLIpYEXOwQ1UeU_aQZj6jyngPuxfLdqT_PwKceHKnDRtJnCINzsO3kT5rtKulqNmebdCvyu88T7iHOgK3qNDIANz_MKI4R4-t5NGHgLvIrwVopfEgI/s320/abgesagt.jpg" width="320" /></a></div>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Like almost all live events around the globe, unfortunately all my current readings had to be cancelled too. Of course, it is particularly unfortunate that we lost <a href="https://www.das-syndikat.com/magazin/aktuelle-meldungen/4108-die-criminale-2020-in-hannover-findet-nicht-statt.html" target="_blank">SYNDIKAT's</a> <a href="http://www.die-criminale.de/criminale-aktuell/2864-auf-wiedersehen-in-marburg-2016.html" target="_blank">CRIMINALE 2020</a> in Hannover, which again would have been a great experience with over 250 participating authors. Stay tuned! As soon as the fog begins to lift, you can find the latest dates here.</span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-46663863011621044962020-02-09T17:36:00.000+01:002020-02-09T17:36:07.723+01:009 facts about #OSCARS2020<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span lang="EN-US" style="font-size: 12pt;">OSCAR night, a mega show as always. But did you know that the most diverse
award category is "Make-up & Hair"? 7 of the 11 nominees are not
white men.</span></span>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span lang="EN-US" style="font-size: 12pt;">But besides that they are. And quite old they are the nominees. </span></span></div>
<a name='more'></a><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">The average
age of the nominees across all categories is 52 years. All nominated men make
it to 54 on average (so I can still hope! :-) But who thinks that Hollywood is
all about young girls…well, all women in all award categories average 49 years.
By the way, the oldest nominee is John Williams with 87 - that and even more
statistics here in 10 charts.</span><br />
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Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-78118044197397403762020-01-12T18:34:00.002+01:002020-01-12T18:46:24.852+01:00Stage of a concept book<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Phase 3 is completed. Exciting to see it come true. Ready for Phase 4.</span>
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<br />Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-49325439073270699622019-09-25T21:15:00.000+02:002019-10-03T21:16:30.621+02:00Zucked live: Roger McNamee @ Ö Medientage<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">What a great storyteller, what a worrying story. Silicon Valley star investor and former Zuckerberg mentor Roger McNamee held the first keynote on the 2019 #OEMT - Österreichische Medientage. Quite a starter. </span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">The recording from yesterdays event is yet not online, but this YouTube clip is just as good as he was live.</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><br /></span>
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/V4Hdn8cgtCU?start=109" width="560"></iframe><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">And here is the story @HORIZONT: <a href="https://www.horizont.at/home/news/detail/roger-mcnamee-gandhi-und-ein-vorschlag-an-mark-zuckerberg.html">https://www.horizont.at/home/news/detail/roger-mcnamee-gandhi-und-ein-vorschlag-an-mark-zuckerberg.html</a></span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-40370204526198359452019-06-13T08:59:00.002+02:002019-09-20T19:10:12.515+02:00Journalismus a’la Austria: die Präsentation des Digital News Reports Österreich und was österreichische Medienschaffende dazu – nicht – zu sagen hatten.<span style="font-family: "arial" , "helvetica" , sans-serif;">Es war zwar eine öffentlich wenig bemerkte, aber durchaus bemerkenswerte Veranstaltung, die da an diesem sommerlichen Mittwochabend im gut klimatisierten Pressezentrum der Austria Presse Agentur (APA) vonstattenging. Präsentiert wurden die österreichischen Teilergebnisse des jährlichen Digital News Reports, in 38 Ländern (Europa, Nord-/Südamerika, Asien, Australien) erhoben und ausgewertet vom Reuters Institute for the Study of Journalism (RISJ) in Zusammenarbeit mit der University of Oxford und regionalen Institutionen. Der Fachbereich Kommunikationswissenschaft der Universität Salzburg ist verantwortlich für die österreichische Teilstudie. </span><br />
<a name='more'></a><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Die ausgewählten Ergebnisse und Diagramme</b> aus der aktuellen Studie, die Teamleiter Stefan Gadringer (Uni Salzburg) zunächst präsentierte, enthielten so einiges an Bedenkenswerte. Ein paar Beispiele: </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #073763;">○ nur 39% der Österreicher und Österreicherinnen haben Vertrauen in ihre Nachrichtenquellen (Schnitt weltweit: 42%) – Tendenz fallend</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #073763;"> ○ 62% lesen hauptsächlich Schlagzeilen</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #073763;"> ○ meist genutzte Nachrichtenquelle ist nach wie vor das Fernsehen (64,4%) vor gedruckten Zeitungen (53,5%) und Radio (45,5%)</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #073763;"> ● das Interesse an Nachrichten hat im Vergleich zum Vorjahr bei den politisch in der Mitte Verorteten um 6,2% ab-, bei den Links- oder Rechtsaußen dagegen um 1,9% zugenommen!</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #073763;"> ● das Vertrauen in die jeweils bevorzugten Nachrichtenquellen nimmt bei den politisch sich selbst rechts Verortenden ZU, bei den Linken dagegen AB</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #073763;"> ● fast 60% sagen, dass die konsumierten Nachrichten NICHT zum Verständnis von Sachverhalten beitragen </span> </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br />Auf dem Podium traten alsdann vier Medienschaffende und Medienverantwortliche sowie ein Wissenschaftler zusammen, um die soeben präsentierten Trends und Entwicklungen zu diskutieren. Namentlich waren dies Harald Fidler (Ressortleiter Medien des STANDARD), Heinz Lederer (ORF Stiftungsrat), Katharina Schell (Mitglied der Chefredaktion, digitale Innovation, Medienredakteurin, APA), Richard Grasl (Mitglied der Chefredaktion, Kurier) sowie Josef Trappl (Leiter des Fachbereichs Kommunikationswissenschaft, Leiter der Abteilung Medienpolitik und Medienökonomie, Universität Salzburg). <br /><br /><b>Und was tat die versammelte Medienkompetenz?</b> Sie debattierte gut eine Stunde über Bezahlschranken, Geschäftsmodelle, Klick-Thru-Raten und ob die digitale Ausgabe eines Anwesenden (Standard) demnächst mit einer „intelligenteren“ Bezahlversion herauskommt, als jene eines nicht anwesenden Mitbewerbers (die Presse). Kurzum, es ging nahezu ausschließlich ums Geld. <br /><br />Nicht, dass Geld unwichtig wäre. Guter und unabhängiger Journalismus braucht eine solide Finanzierung, gar keine Frage. Aber es wäre doch schön gewesen, zu erfahren, was die Verantwortlich mit diesem Geld denn anstellen würden, um zum Beispiel dem zunehmenden Vertrauensverlust entgegenzuwirken. Welche journalistischen, redaktionellen oder herausgeberischen Maßnahmen sind angedacht, damit Nachrichtenkonsumenten wieder vermehrt das Gefühl haben, ihnen würden selbige auch ausreichend erklärt? <br /><br />Fortbildung für Reporter und Redakteure? Neue, innovative Formate? Mehr Raum für Erläuterungen und Hintergründe? Nichts dergleichen wurde auch nur angeschnitten. <br /><br /><b>„Letzlich zählt eh nur a guade G’schicht“</b> (Grasl, Kurier), war im Wesentlichen die einzige Aussage des gesamten Abends, die irgendwie in Richtung journalistischer Inhalte ging. Und sie blieb ebenso unwidersprochen und unerklärt einsam im Raum stehen. <br /><br />„Sauber recherchieren“, „check und double-check“, „wiss’ma eh ois“, „journalistisches Handwerkszeug“, „ho’ma ja ois gelernt“ – es sind immer die gleichen Selbstein- und Überschätzungen, mit denen sich österreichische Medienaktive auf Diskussions- und Podiumsveranstaltungen wie dieser ihre Welt schönreden. <br /><br />Es scheint in den heimischen Redaktionen niemanden stutzig zu machen, dass das Vertrauen der benachbarten Deutschen in ihre Medien signifikant höher ist – Deutschland rangiert hier im vorderen, Österreich im hinteren Drittel – und das, obwohl genau im Untersuchungszeitraum das Flaggschiff deutschen Journalismus‘, der SPIEGEL, die größte Medien-Havarie seit den gefälschten Hitlertagebüchern hingelegt hat. <br /><br />Hier könnte sich der Blick beispielsweise auf die Öffentlich-Rechtlichen richten. Denn – eine der wenigen guten Nachrichten des Reports – der ORF ist nach wie vor stabil in der Mitte der Gesellschaft verortet und hat weiterhin die mit Abstand größte Reichweite. Davon ausgehend, dass dies auch in Deutschland für die Öffentlich-Rechtlichen zutreffen dürfte, könnte hier vielleicht ein Unterschied begründet sein. Denn beim großen Nachbarn gibt es bekanntlich mit ARD und ZDF zwei große, öffentlich-rechtliche Mediensäulen, zählt man die Landesorganisation der ARD, von WDR bis BR, für sich, ist es sogar eine ganze Reihe an nicht-kommerziellen Anstalten, die um Zuseher und Zuhörer rittern. Es gibt also Wettbewerb. <br /><b><br />Vielleicht wäre ja hier ein Hebel zu finden</b>, um Vertrauenswürdigkeit und Erklärfähigkeit auch in Österreich wieder zu verbessern. Und zugleich ließe sich der leidigen (Schein)-Debatte über ORF-„Zwangs“-Gebühren etwas Konstruktives entgegen setzen. Möglicherweise täte Österreich nicht ein anders finanzierter, sondern eine komplett anders strukturierte, öffentlich-rechtliche Medienlandschaft gut? <br /><br />An besagtem, sommerlichen Mittwochabend ging es zum Thema ORF jedoch lediglich um die Frage, ob ein Kurier oder ein Standard digital Inhalte für bares Geld verkaufen können, wenn es dieselben vermeintlich kostenlos ja vom ORF ohnehin gäbe. Immerhin, die naheliegende Antwort wurde gegeben und sie lautet natürlich: Nein. Es müssten schon andere Inhalte sein, welche die Privaten verkaufen können. <br /><br />Nur welcher Art diese sein sollen, davon hätte man gerne doch wenigstens ein wenig erfahren. </span><br />
<br />
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/gtkiRJwSN10" width="560"></iframe>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span id="goog_602131616"></span><span id="goog_602131617"></span><br /><span style="font-size: x-small;">Highlights aus dem Digital News Report 2019 in 3 Minuten im Video</span><br /><br /><b>Surftipps:</b> <br /> Seite des Digital News Report Österreich <a href="http://www.digitalnewsreport.at/">http://www.digitalnewsreport.at/</a><br /> Seite des Digital News Report International <a href="http://www.digitalnewsreport.org/">http://www.digitalnewsreport.org/</a> </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Der Digital News Report 2019 Österreich und der Digital News Report 2019 Global zum Herunterladen: </span><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://www.digitalnewsreport.at/reports/2019-2/">http://www.digitalnewsreport.at/reports/2019-2/</a></span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-76234432205384471652019-05-28T23:09:00.000+02:002019-10-03T20:03:19.959+02:00They fear us, Greta!<div style="text-align: center;">
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">- English version - </span></div>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">An
open letter to Greta Thunberg on the occasion of the R20 Austrian World
Summit and on the question why the political leaders do not act more
decisively and what we can do against them doing nothing.</span></span><br />
<a name='more'></a><a href="https://upload.wikimedia.org/wikipedia/commons/4/49/Greta_Thunberg_02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="535" data-original-width="800" height="214" src="https://upload.wikimedia.org/wikipedia/commons/4/49/Greta_Thunberg_02.jpg" width="320" /></a><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Dear Greta Thunberg,<br /><br />When
you visited Vienna today on the occasion of the R20 climate conference
and the display in the Vienna subway flashed an encouraging "Use public
transport - Protect the climate" to me, I felt inspired to write you a
few thoughts that have been in my head for quite some time.<br /><br />Like
you and many other people - the European elections have just highlighted
this - I too believe that saving the climate and therefore rapidly and
completely transforming our energy world is the greatest and most urgent
task our society are currently facing.<br /><br />With your appeals and
with the "Fridays for Future" movement, launched on your inspiration,
you are creating a great deal of awareness and above all you are making
politicians and business leaders responsible for finally taking action. I
can only support that.<br /><br />And yet I am missing something in all this - and this something even seems to me to be an essential one.<br /><br />We,
a large part of the public, most of the commentators in the media, the
many activists, we accuse the responsible people, above all the
politicians, of delaying necessities and of having been inactive for far
too long. But the question is, why are they doing this?<br /><br />Most
often the answer is: because they are bought by lobbyists. It is also
sometimes said that they are too ignorant to recognise the situation,
perhaps even simply too lazy. I don't think that's true. In any case, it
does not hit the nail on the head.<br /><br />Greta, do you know what the
prevailing feeling is in the ministries of Austria, Germany, Belgium,
Spain, the USA and, quite certainly, your home country, Sweden?<br />Is it greed? Arrogance? Is there ignorance or even bottomless stupidity?<br /><br />In
recent months you have been able to meet a whole series of politicians
and officials. Just today the Austrian Federal President. You may
disagree with me, but I don't think you often had the feeling during
these encounters that you were dealing with particularly greedy or
corrupt, conspicuously arrogant or stupid people, do you?<br /><br />Whoever
in the so-called western world has ever spent some time in a ministry -
for work and not for just an interview or a press conference - will
quite certainly agree with me when I notice that the prevailing feeling
in the corridors of the so-called power centres is - fear!<br /><br />Leaden, hands-on, all-pervading, paralyzing fear.<br />It
ranges from team assistants to department heads, from legal trainees to
ministers. It begins at the very top and is passed on to the smallest
member. The fear of the press review in the morning, the fear of the
next Shitstorm, the fear of the next poll, of election day. The fear of
us.<br /><br />It may sound unlikely, but the powerful fear us. And that's exactly why they remain inactive.<br /><br />That is not an excuse, of course! But an appeal to you, Greta. You got a voice. Your messages are heard.<br /><br />I
would therefore ask you to add to your justified criticism, your moving
appeals to politicians, a sign that gives those responsible courage.
Make them a promise on our behalf: that we will not let the courageous
fall!<br /><br />Tell them that if you, who we elect to your posts, do what
must finally be done, we will not deprive you of our favour and our
vote, even if we do not like all the consequences of the necessary
measures.<br /><br />If, for example, you finally introduce a C02 tax, we
will not vote you out, just because Spanish tomatoes will then become a
little more expensive in Austria. We won't take to the streets and
demonstrate when the flight to Corfu costs a bit more of the holiday
money and we won't start an online petition when more plastic items are
banned.<br /><br />As long as we get the feeling that it is fair, we will
stick by you until we have reached the goal of a climate and
environmentally friendly society.<br /><br />Please tell them this Greta. Tell them: be courageous!</span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-83556096435201363432019-05-28T22:42:00.000+02:002019-10-03T17:14:50.202+02:00Sie fürchten uns, Greta!<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">Ein offener Brief an Greta Thunberg anlässlich des R20 Austrian World Summit und zu der Frage, warum die politische Verantwortlichen nicht entschlossener handeln und was wir dagegen tun können, dass sie nichts tun.</span></span><br />
<a name='more'></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Werte Greta Thunberg,</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">als Sie
heute anlässlich der <a href="https://derstandard.at/2000103975782/R20-Klimakonferenz-Schwarzenegger-und-Thunberg-riefen-zu-mehr-Action-auf" target="_blank">R20-Klimakonferenz</a> Wien besuchten und mir die <a href="https://futurezone.at/digital-life/wiener-linien-crashen-echtzeitanzeige-mit-klima-schuetzen/400507669" target="_blank">Fahrplananzeigein der Wiener U-Bahn</a> ein aufmunterndes „Öffis nützen - Klima schützen“
zublinkte, fühlte ich mich ermuntert, Ihnen ein paar Gedanken zu schreiben, die
mir schon länger nicht aus dem Kopf gehen.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Wie Sie und
wie viele andere Menschen – die Europawahlen haben es gerade gezeigt – bin auch
ich der Ansicht, dass die Rettung des Klimas und daher der schnelle und vollständige
Umbau unserer Energiewelt die größte und dringendste Aufgabe ist, die unsere
Gesellschaft derzeit zu leisten hat.</span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6RoYrRiPk_UuOkVjUDZ9Lwkw_UzLa1oXEXyL2SlTe4pjnf-J3GJushbbGwFuVCFmLEXRjBdNl9bpypVyybjhjIQXPv_3lZcY9PibYM_UGKxP4nro0w6co4cbJjwM-HdS_DtEqmad8W34/s1600/greta%2540parlament.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6RoYrRiPk_UuOkVjUDZ9Lwkw_UzLa1oXEXyL2SlTe4pjnf-J3GJushbbGwFuVCFmLEXRjBdNl9bpypVyybjhjIQXPv_3lZcY9PibYM_UGKxP4nro0w6co4cbJjwM-HdS_DtEqmad8W34/s200/greta%2540parlament.jpg" width="200" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Mit Ihren
Apellen und mit der auf Ihre Inspiration hin gestarteten „Fridays for Future“-Bewegung,
schaffen Sie viel Bewusstsein und Sie nehmen vor allem Politiker und
Wirtschaftsführer in die Pflicht, endlich tatsächlich aktiv zu werden. Das kann
ich nur unterstützen.</span></div>
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<br /></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Und doch
fehlt mir bei all dem etwas – und dieses Etwas erscheint mir sogar ein ganz wesentliches zu sein.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Wir, ein
großer Teil der Öffentlichkeit, die meisten Kommentatoren der Medien, die vielen
Aktivisten, wir werfen den Verantwortungsträgern, allen voran den Politikern vor, viel zu lange untätig gewesen zu sein und Notwendigkeiten viel zu lang
hinauszuzögern. Die Frage ist aber, warum tun sie das?</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Am
häufigsten lautet die Antwort: weil sie von Lobbyisten gekauft sind. Mitunter
heißt es auch, sie seien zu ignorant, um die Lage zu erkennen, vielleicht sogar
schlichtweg zu bequem. Ich glaube, das stimmt </span><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">nicht</span>. Jedenfalls trifft es
nicht den eigentlichen Kern.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Wissen Sie,
Greta, was das vorherrschende Gefühl in den Ministerien in Österreich, in
Deutschland, in Belgien, in Spanien, auch in den USA und ziemlich sicher auch
in Ihrer Heimat, in Schweden ist?</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Ist es Gier?
Hochmut? Herrschen dort Ignoranz oder gar bodenlose Dummheit?</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Sie konnten
in den letzten Monaten eine ganze Reihe von Politikern und Beamten treffen.
Heute erst den <a href="https://www.heute.at/oesterreich/wien/story/Greta-Thunberg-traf-Bundespraesidenten-Van-der-Bellen-44420239" target="_blank">österreichischen Bundespräsidenten</a>. Sie mögen mir gerne
widersprechen, aber ich glaube nicht, dass Sie bei diesen Begegnungen häufig das
Gefühl hatten, es mit besonders gierigen, oder korrupten, mit auffällig
arroganten oder eben dummen Personen zu tun zu haben, oder?</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Wer immer in
der sogenannten westlichen Welt jemals einige Zeit in einem Ministerium verbracht
hat – zum Arbeiten und nicht für ein Interview oder eine Pressekonferenz – der wird
mir ziemlich sicher zustimmen können, wenn ich feststelle: das vorherrschende
Gefühl in den Fluren der sogenannten Zentralen der Macht ist – Angst!</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Bleierne, mit
Händen zu greifende, alles durchdringende, lähmende Angst.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Sie reicht
vom Team-Assistenten bis zum Abteilungsleiter, vom Referendar bis zur Ministerin.
Sie beginnt ganz oben und wird bis ins kleinste Glied weitergereicht. Die Angst
vor dem Pressespiegel am Morgen, die Angst vor dem nächsten Shitstorm, die
Angst vor der nächsten Umfrage, vor dem Wahltag. <b>Die Angst vor uns</b>.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Es mag
unwahrscheinlich klingen, aber die Mächtigen fürchten uns. Und genau darum verharren
sie in Untätigkeit.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Das soll
keine Entschuldigung sein! Aber ein Apell an Sie, Greta. Sie haben eine Stimme
bekommen. Ihre Botschaften werden gehört.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Daher möchte
ich Sie bitten, fügen Sie Ihrer berechtigten Kritik, Ihren bewegenden Aufrufen
an die Politik auch ein Zeichen hinzu, das den Verantwortlichen Mut macht. Geben
Sie Ihnen in unserem Namen ein Versprechen: wir werden die Mutigen nicht fallen
lassen! </span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Bitte sagen Sie Ihnen, wenn ihr,
die wir in eure Ämter wählen, das tut, was endlich getan werden muss, dann werden wir euch
unsere Gunst und unsere Wählerstimme nicht wieder entziehen, auch wenn uns
nicht alle Folgen der notwendigen Maßnahmen gefallen.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Wenn ihr
endlich eine C02-Steuer einführt, werden wir euch nicht abwählen, nur weil
spanische Tomaten in Österreich dann etwas teurer werden. Wir werden nicht auf
die Straße gehen und demonstrieren, wenn der Flug nach Korfu ein Stück mehr vom
Urlaubsgeld kostet und wir werden keine Online-Petition starten, wenn weitere
Plastikartikel verboten werden.</span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Solange wir
das Gefühl haben, dass es dabei gerecht zugeht, halten wir zu euch, bis wir das
Ziel einer klima- und umweltfreundlichen Gesellschaft erreicht haben. </span></div>
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<br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Sagen Sie
ihnen das bitte Greta. <b>Sagen Sie ihnen: seid mutig</b>!</span><br />
<br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"></span><br /></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-26808333955081125232019-03-24T17:19:00.000+01:002019-10-03T20:10:39.136+02:00Out now: Mord im Dreiländereck - die Anthologie zur CRIMINALE 2019<span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Wieder hat eine Reihe großartiger Krimiautorinnen und <span style="font-family: serif;">-a</span>utoren aus Deutschland, Österreich und der Schweiz mit ihren criminellen Beiträgen eine CRIMINALE-Anthologie auf den Weg gebracht- auf die schiefe Bahn? Jedenfalls Richtung Westen, diesmal. Mit der ganzen Bandbreite, die Kurzkrimis zu bieten haben, von daramtisch bis komisch von nachdenklich bis unerträglich spannend - auf jeden Fall aber höchst unterhaltsam. Umsomehr freue ich mich, mit der Kurzgeschichte "Warum nur, bleibt alles so still?" in dieser Phalanx der Krimi-Cracks dabei sein zu können.</i> </span><br />
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<h3>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Mord im Dreiländereck<br /><i>Kurzkrimis aus der Region Aachen</i></span></h3>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"></span><span style="font-family: "arial" , "helvetica" , sans-serif;">Karl der Große, der Sachsenschlächter, hat Maßstäbe gesetzt – da lassen
sich die Krimi-Könner vom Syndikat nicht lumpen! Sie haben die
Karlsstadt Aachen als Zentrum ihrer literarisch-kriminellen Aktivitäten
auserkoren. Hier veranstalten sie 2019 die CRIMINALE, das größte
Festival des deutschsprachigen Krimis. Aus diesem Anlass stöbern sie in
einundzwanzig Kurzgeschichten das Verbrechen in all seinen Formen auf,
sei es historisch oder aktuell, kulinarisch oder politisch, lokal oder
grenzüberschreitend. Das kommt dabei heraus, wenn man Schreibtischtätern
den Klenkes reicht!</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><br />Mit Beiträgen von </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Sabina Naber, Gisa Klönne, Carsten Sebastian Henn,
Ralf Kramp, Tatjana Kruse, Kurt Lehmkuhl, Richard Lifka, Jutta Profijt,
Ilka Stitz, Peter Godazgar, Thomas Hoeps, Günter Neuwirth, Barbara
Saladin, Herbert Knorr, Sabine Trinkaus, Jac. Toes, Regina Schleheck,
Daniel Carinsson, Silvia Götschi, Uli Aechtner, Mike Mateescu</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://www.amazon.de/Mord-Drei-L%C3%A4nder-Eck-Kurzkrimis-Region-Aachen/dp/3740805374/ref=sr_1_1?s=books&ie=UTF8&qid=1553443486&sr=1-1&keywords=mord+im+dreil%C3%A4ndereck" target="_blank"><b>Mord im Dreiländereck</b></a></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">(Herausgegeben von Peter Gerdes)</span><br />
<div class="details">
<span style="font-family: "arial" , "helvetica" , sans-serif;">März 2019<br /><i>sofort lieferbar</i><br />ISBN 9783740805371</span></div>
<br />Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-51022743034624473072019-02-28T08:17:00.000+01:002019-10-03T17:16:06.871+02:00#ZEITENFENSTER - Vernissage<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Finally, am 19.2.2019 um 19 Uhr konnten wir die Vernissage der 3D-Bilder meiner #ZEITENFENSTER Serie im <a href="https://www.aera.at/" target="_blank">Wiener AERA</a> feiern. Reichlich Gäste waren gekommen und natürlich habe ich mich sehr über die vielen positiven Rückmeldungen gefreut. Nicht nur zu den Bildern, die, glaube ich, doch die eine oder den anderen durchaus beeindruckt haben, sondern auch zu den Auszügen aus meinem nocht titellosen Roman, der ja sozusagen Quell der Bilderserie ist. Große Motivation also, mit diesem Projekt weiter zu machen. Nächster Meilenstein: das 3D Demobuch! Stay tuned.</span><br />
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Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-74384882043045957602018-11-01T11:02:00.001+01:002019-10-03T20:17:26.195+02:00ZEITENFENSTER - Bilderauswahl<span style="font-family: "arial" , "helvetica" , sans-serif;">Das #<a href="https://www.startnext.com/zeitenfenster" target="_blank">ZEITENFENSTER</a>-3D-Foto-Projekt geht in's Finale und jetzt seit Ihr nochmal gefordert: helft mir bei der schwierigen Auswahl der Bilder für die Ausstellung!</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Auf <a href="https://www.instagram.com/danielcarinsson/" target="_blank">Instagram</a> und <a href="https://www.facebook.com/Zeitenfenster/" target="_blank">Facebook</a> wurde per Likes bereits eine erste Reihenfolge der Bilder erstellt. Hier könnt Ihr jetzt nochmal in der Übersicht mitmischen.</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Es ist ganz einfach: </b>die Bilderstrecke ist von den auf Instagram und Facebook beliebtesten zu den weniger beliebten vorsortiert. Seid Ihr mit der Reihung zufrieden? Scrollt einfach hinunter und wenn Euch ein Bild besser gefällt, als es gereiht ist, klickt auf den grünen Pfeil, damit es nach oben wandert. Bis Sonntag 11. November könnt Ihr noch mitschieben. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Die 24 erstgereihten Bilder werden für die Ausstellung in 3D produziert. Ich bin gespannt. Danke für Eure Mithlife! </span><br />
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Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0tag:blogger.com,1999:blog-7235476759135717970.post-35697942879835211462018-10-20T09:43:00.002+02:002019-10-03T17:17:56.232+02:00ZEITENFENSTER - Hintergrund: Kurzinterview mit Annette Böhm (Römerlein-Express)<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Halbzeit beim Startnext-Crowndfunding zu meinem 3D Fotoprojekt "<a href="https://www.startnext.com/zeitenfenster" target="_blank">ZEITENFENSTER</a>" (Noch bis 4. November kann <a href="https://www.startnext.com/zeitenfenster" target="_blank">mitgemacht</a> werden!) und der erste richtig neblige Herbsttag scheint grade recht für ein paar weitere "Behind-the-scenes"-Infos.</span></span><br />
<a name='more'></a><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i> Etliche der Bilder in der <a href="https://www.instagram.com/explore/tags/zeitenfenster/" target="_blank">#ZEITENFENSTER-Serie</a> habe ich mit Fotomodels aufgenommen, weil ich die echten Reenactors, die ich aus Carnuntum kenne, nicht mit endlosen Regieanweisungen "quälen" und quer über's pannonische Land jagen wollte. Nicht, dass ich die beiden Top-Models <a href="https://www.instagram.com/sedcard_caro/" target="_blank">Caro</a> und <a href="https://www.instagram.com/janetherock96/" target="_blank">Kerstin</a> gequält hätte - sie hatten, glaube ich, bei den Aufnahmen in der Höhle und in der Therme sogar viel Spaß - aber sie sind das Posieren nun mal gewöhnt. Spaß hatten sie vor allem auch mit den tollen, römischen Gewändern. Und über die sei heute etwas mehr erzählt.</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Die aktiven Spätantike-Fans zum Beispiel des Vereins Gentes Danubii stecken ja enorm viel Zeit und Engagement in die Herstellung ihrer Gewänder. In diesen steckt also viel zu viel persönliche Verbundenheit, als dass ich mir die mal eben für Fotosessions hätte guten Gewissens ausborgen können. Zum Glück bin ich schon vor einiger Zeit auf den "<a href="https://roemerlein.de/" target="_blank"><b>Römerlein-Express</b></a>" gestoßen. Diese kleine aber sehr feine Unternehmen aus Deutschland verleiht authentische, römische Gewänder! Meistens leihen sich die Kundinnen und Kunden solche für den Besuch eines Römerfestes, eine Kostümfeier oder auch schon mal für eine Motto-Hochzeit aus. Für meine Fotosessions war dieser Service aber auch absolut perfekt.</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Mit der Gründerin und Betreiberin des "Römerlein-Expresses", <a href="https://www.youtube.com/watch?v=7peoM9m4kj0" target="_blank">Annette Böhm</a>, habe ich ein kleines Interview zu den Hintergünden ihres besonderen Angebots geführt.</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Daniel</b>: Frau Böhm, als ich das erste Mal auf Ihr Angebot gestoßen bin, war ich extrem begeistert aber auch sehr überrascht. Ich weiß ja, wie aufwändig vor allem die Recherche für das Anfertigen von römsichen Gewändern ist. Dass jemand diese verleiht, fand ich ausgesprochen ungewöhnlich und spannend. Wie lange gibt es den Römerlein Express schon und wie sind Sie auf den Gedanken gekommen, römische Gewänder zu fabrizieren und diese sowohl zu verkaufen, als auch zu verleihen?</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://i.ytimg.com/vi/7peoM9m4kj0/maxresdefault.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="180" src="https://i.ytimg.com/vi/7peoM9m4kj0/maxresdefault.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Annette Böhm <span class="irc_su" dir="ltr" style="text-align: left;">liest aus dem Eineuromann (Quelle: YouTube)</span></td></tr>
</tbody></table>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Annette Böhm</b>: Von meiner Berufsausbildung bin ich ja tatsächlich klassische Archäologin. Im Jahr 2005 war ich in einem Projekt an der Mosel tätig. Dort wurde gerade eine große Ausstellung über den Kaiser Konstantin vorbereitet, und das ganze Moselgebiet war im Römerfieber. Ich gab im Auftrag einer Tourismusorganisation Kurse, in denen ich die einheimischen Gastronomen auf das große Ereignis vorbereitete und über römisches Essen und römische Kleidung informierte. Bei den Gastwirten war das Interesse groß, ihr Personal passend zum Anlass römisch einzukleiden, aber mit der Beschaffung der Kostüme waren alle ein wenig überfordert. So kam ich auf die Idee, römische Kleidung zum Verleih anzubieten. 2006 habe ich meine Firma „Römerlein Express“ gegründet, zunächst nur als Kostümverleih. Inzwischen verkaufe ich auch Gewürze und Zutaten für römische Küche auf Märkten und im Internet und biete römische Kochkurse an.<br /><br /><b>Daniel</b>: Woher nehmen Sie die Vorlagen und die Inspiration für die Gewänder? Und was fasziniert Sie überhaupt an dieser „Mode“?<br /><br /><b>Annette Böhm</b>: Das Aussehen und die Schnitte der Kleider habe ich, wie ich es im Studium gelernt habe, ganz traditionell in Bibliotheken recherchiert: ich habe mir römische Wandmalereien und Statuen genau angesehen und das Schnittmuster und die Drapierung der Kleidung studiert. Dann habe ich nach meinen Angaben die ersten Kostüme in Behindertenwerkstätten nähen lassen. Zum Glück ist römische Kleidung sehr einfach geschnitten: es sind in der Regel nur gerade Stücke Stoff, die dann gewickelt und drapiert werden. Die einzige Ausnahme ist die Toga, über deren Schnittmuster auch in der Wissenschaft ein wenig diskutiert wird. Aber ich denke, ich habe da eine überzeugende Lösung gefunden, die drapiert genauso aussieht wie auf den antiken Abbildungen. </span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Einige Abstriche bei der Authentizität musste ich in der Praxis aber doch machen, vor allem beim Material. Die Leihkleidung muss ja bei hohen Temperaturen gewaschen werden können. Daher sind die Kostüme nicht aus Wolle, sondern aus Baumwolle in einer etwas rustikaleren Qualität. Schuhe biete ich überhaupt nicht zum Verleih an, das ist einfach zu unhygienisch. Zum Glück kann man ja im Handel recht passabel aussehende „Römersandalen“ kaufen.<br /> </span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Ie9X6WfG4CmSrNdosYSth-NVnzn70PRLEmZfDrOy4HAl0_EEiy_YGLpvlO5PKIIx9kPKczgR_PtOmlV6s4hVtROI2ODhSss1NSgJgsQJq1YOF6BcfVZnp29I3uLztdkgVoUSZDMf6kA/s1600/caro-kerstin-wald-4-blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Ie9X6WfG4CmSrNdosYSth-NVnzn70PRLEmZfDrOy4HAl0_EEiy_YGLpvlO5PKIIx9kPKczgR_PtOmlV6s4hVtROI2ODhSss1NSgJgsQJq1YOF6BcfVZnp29I3uLztdkgVoUSZDMf6kA/s320/caro-kerstin-wald-4-blog.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Models Caro (li) und Kerstin "Römerlein Express" gewandet </td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Mir persönlich steht römische Kleidung leider überhaupt nicht gut… Man sollte schon eine Taille haben. (<i>Daniel protestiert! Anm.</i>)<br /><br /><b>Daniel</b>: Das Verleihen erscheint auf den ersten Blick etwas riskant? Müssen Sie viel flicken oder erneuern, wenn Sie die Waren zurückbekommen, oder gehen die Leute wirklich sorgsam damit um?<br /><br /><b>Annette Böhm</b>: Ich kann meinen Kunden nur ein Kompliment machen: Die Leute gehen wirklich sorgsam mit der Kleidung um. In der Regel kommen die Kostüme unversehrt wieder zurück, manchmal sieht man gar nicht, dass sie überhaupt getragen wurden. Sie werden ja auch oft nur einen Tag oder einen Abend ausgeführt. Manchmal reißt bei den Frauenkostümen ein Knopf ab, und der ist dann schnell wieder angenäht.<br />Ein einziges Mal habe ich Tuniken für eine ganze Gruppe Kinder ausgeliehen, und die kamen mit schlimmen gelben Flecken zurück, weil die Kinder durch ein Lilienbeet gelaufen waren. Ich habe die Tuniken dann gelb überfärbt. Die gelben Tuniken sehen zu den bunten Übergewändern meiner Mädchen-Kombination „Delicia“ immer noch ganz reizend aus.<br /><br />Vielen Dank und weiterhin alles Gute mit den Rom- und Antikenbegeisterten in aller Welt.<b> </b></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Daniel</b>: Vielen Dank auch von mir und ich werde sicher in absehbarer Zeit wieder beim "Römerlein Express" bestellen. Es warten noch viele Fotos darauf geschossen zu werden.</span></span>Daniel Carinssonhttp://www.blogger.com/profile/09913401138464422084noreply@blogger.com0